(Note: This post is late in observance of Easter)
Known for its ability to successfully combine dance, techno, avant garde and dada-influenced performance art, the group Cabaret Voltaire, until fairly recently, remained one of the best kept secrets from my 80’s music store of knowledge. I started hearing them played on David Marsden’s show from 94.9 The Rock Thursday and Friday nights about a year ago. Since then, the group has definitely captured my attention.
Cabaret Voltaire formed in Sheffield, England, initially composed of Stephen Mallinder, Richard H. Kirk and Chris Watson. The name came from a nightclub in Zurich, Switzerland whose music heavily influenced the group. Although their earliest performances were dada-influenced performance art, Cabaret Voltaire later developed into one of the most prolific and important groups to blend pop with dance music, techno, dub house and experimental electronic music. (Wiki)
In 1978, Cabaret Voltaire signed to Rough Trade Records and released several critically acclaimed experimental singles and Eps, including Extended Play, “Nag Nag Nag” and “Three Mantras.” They also went on top release the albums The Voice of America in 1980, and Red Mecca in 1981.
In 1983, the band took a decidedly mainstream turn with the album The Crackdown coming in at #31 in the UK charts. In 1984, the Cabaret Voltaire unleashed the singles “Sensoria” and “James Brown” from the album Micro Phonies. Code debuted in 1987, followed by the house-influenced Groovy, Laidback & Nasty in 1990. The last Cabaret Voltaire release to feature Mallinder singing was the single, “Colours” in 1990. After that, a series of Cabaret Voltaire instrumental tracks were released in 1993 and 1994.
“Ghostalk” Via YouTube user electrigger:
“Crackdown” via YouTube user neckro23:
“Sensoria” via YouTube user vicoland:
Discography (Purchase Here)
- Mix-Up (October 1979)
- The Voice of America (July 1980)
- Red Mecca (August 1981)
- 2×45 (May 1982)
- The Crackdown (August 1983)
- Johnny Yesno (November 1983)
- Micro Phonies (November 1984)
- Drinking Gasoline (August 1985)
- The Covenant, The Sword, and the Arm of the Lord (October 1985)
- Code (October 1987)
- Groovy, Laidback and Nasty (June 1990)
- Body and Soul (March 1991)
- Plasticity (October 1992)
- International Language (June 1993)
- The Conversation (July 1994)