Balance

January 18, 2021 by missparker0106

It has been a decade since Benjamin Russell and I first interviewed. I seriously can’t comprehend where all that time went. Back then, we had a chat just before his CD “Rockhill” dropped. I was so moved by the collection that I wrote an impromptu review soon after. I know that Benjamin has been busy creating and releasing since then, but somehow life got in the way, and here we are 10 years later.

I was given an exclusive first look at Benjamin’s latest CD “Balance,” an emotional and insightful journey scheduled to drop on February 26. The tracks speak to a rich life, a full life, a life filled with tales dying to be told. The overall tone and lyrics have me imagining the patriarch of a family gathering the members together in front of a fire crackling in the living room hearth and sharing stories in a way not to instill fear, but to endear, with lessons to share.

My impression is that the more we listen to “Balance,” the more the depths of Benjamin’s life are laid bare for all to see. It’s done not with melancholy, but with a sense of triumph and joy. The upbeat undercurrent tells us that whatever we might learn from the stories he spins, it’s to our advantage and to his great relief.

Benjamin and Elyce, his writing partner and soulmate, took some time out of their busy schedules to indulge a few questions from me. The upshot is that we all have an opportunity to enjoy this latest heartfelt creation from one of Canada’s most gifted musical story weavers. Remember: this creative and inspiring album drops on February 26, so mark your calendars!

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MissParker: So what have you been up to the past 10 years?

Benjamin Russell: After the release of ROCKHILL, I put a band together and played shows with Peter Marunzak (former drummer for one of Canada’s most popular 80s bands, LUBA), Peter Patrick (guitarist from Nova Scotia’s NAKED LUNCH), composer, Sandra Chechik on keyboards, and Jose Sierra on bass. It was great to be playing live again!

I was on a high, creating music like crazy, but all over the place. The muse kept jolting me with stuff ranging from acoustic folk to aggressive electronic dance as well my more 80s pop style. I decided to split myself in three. But then everything came to a screeching halt.

There’s a reason there’s such a gap in communication since ROCKHILL. After that, I made an album under my name, SUNDOG, and 2 EPs: BUY THE BOMB, under the name, Guru Groan, and ALL FOR YOU, under the name, River of Stone. These nearly didn’t see the light of day as, just when they were about to be released in 2013, Elyce (my music and life partner) was diagnosed with a slow moving but incurable cancer, a form of leukaemia called, CLL. I stopped making music and had no time to promote it, making the decision to just spend every quality moment together.

MissParker: I’ve seen Elyce listed in the songwriting and video credits. Has she always been so involved?

Benjamin Russell: We met when I had just turned 19 and have been together ever since. A year later, I typed out two copies of the lyrics of all the songs I had written and bound them together into books as gifts for my best friends. They were divided in two parts: Before Elyce and After Elyce. There were already more songs in the second half. She gave me lift and I flew. Since then everything has been a collaboration.

MissParker: Does Elyce write music or lyrics or both?

Benjamin Russell: She doesn’t write music but she’s influenced me incredibly. Elyce is one of the original Beatlemaniacs. Friends and family made fun of her for loving them before they were so big! She has eclectic taste and she turned me on to stuff I wouldn’t have listened to otherwise. As the son of two university professors, I grew up in a home where “commercial” and “popular” were dirty words. I was a musical snob when Elyce opened me up to more than rock, classical and male singer-songwriters.

Elyce: Yeah, he was a real chauvinist! (laughing) Not really, but he hadn’t listened to Barbra Streisand, Laura Nyro, Roberta Flack, or Buffy Saint Marie.

Benjamin Russell: The lyrics are collaborations. Mostly, I start writing something and ask her to tweak it but often I get ideas from something Elyce said or wrote. Some songs are all nearly all her, TRYING TOO HARD, on GENTLE MAN, for example. On that one, she talked while I rearranged the words into lyric form.

MissParker: I feel like I’m forever asking this same question, but it seems to add context to what we’re listening to. What inspired the creation of “Balance?”

Elyce: As I used to tell my high school students, my husband’s best and worst quality is that he’s very sensitive! The smallest thing can inspire him to create but sometimes to extremes. He has so many ideas and projects, and needs be grounded. Balance has not been easy for him to achieve.

Benjamin Russell: Yeah, Elyce has kept me tethered to the mother ship. There have been many times I could have rocketed off this planet entirely if not for her!

I gave up my job in August 2018 to be with Elyce. We began the best years of our life, and Elyce encouraged me to start recording again. We were well into BALANCE when we realized we were working on not one but two albums. Elyce started it – she said, “This should be a rock opera!”. We put BALANCE aside and quickly wrote and produced SHIKASTA SUITE, which came out in November 2019. It’s based on Nobel Prize winning author, Doris Lessing’s science fiction novel, Shikasta.

MissParker: Do you find that the more life you’ve lived, the more reflective your music tends to be?

Elyce: I think it’s always been a big part of his music. A song like BROKEN-HEARTED LOVERS, his first vinyl release back in 1981, was a punk/pop song, but I know the real story. The lyrics say, “Sat up late last night with the headphones on, listening to some music, crazy love songs…” Ben was actually listening to Beethoven’s 9th and Bach organ fugues while he decided whether to ask me to marry him after we’d been seeing each other for only 10 days.

Benjamin Russell: Ha ha, that’s true. Reflection. It’s like hiking. You get IN THE ZONE, and just climb your mountains, but every once in a while you come to a break in the trees and can see for miles. That’s kind of where we are now.

MissParker: Do you have a specific audience in mind when you write your songs?

Benjamin Russell: As broad as possible!

Elyce: I tell him to be free as an artist and not pigeon hole himself.

Benjamin Russell: That being said… (laughs) I want this album to resonate with fans of my 80s music who’ve supported me and have been waiting a long time for a followup to my 1984 album. I had done remakes and videos for MIRACLE (on SUNDOG) and SHADOWS (on SHIKASTA SUITE), but this is fresh material with a vibe that’s being recognized. Some have compared BALANCE to Pet Shop Boys and New Order’s later stuff.

MissParker: How important are the lyrics?

Benjamin Russell: That’s a great question. When I started writing songs, they were always first but now it varies from song to song and music has become increasingly a focus. I’m always writing melodies in my head. Many of them have been lost over the years because I didn’t write them down. Now I do, and lyrics might come later.

Elyce: What we’re saying is important to us. There are fewer words now but they are carefully chosen.

MissParker: Did you perform all of the musical parts for “Balance” or did you have help in the studio?

Benjamin Russell: I did everything with the exception of some of background vocals. I had help from Oliver Russell and Erin Ilagan on WORD (YOU MAKE ME FEEL) and REFUGE, and that’s Elyce in the tag to I AM A STRANGER.

I played electric and acoustic guitar. I really enjoyed playing bass especially the solo on ALONE, as well as doing some parts in real time on my computer QWERTY keyboard (the solo on IN THE ZONE, for instance). I combined real playing with sampling on BENT OLD MAN AND MULE. I was going to call it a “landscape for voice and banjo” and wanted it to be just me plucking and singing live, but it grew into a full electronic, sampled and looped production.

I’ve come a long way from the days when everything was actually played on instruments. Now my main axe is the computer! When I made the album in 1984, I didn’t have one, but I had to be a programmer. Anybody who used a drum machine or sequencer back then had to bend themselves to the weird and conflicting operating systems, so most of what is on that album is actually played. Computers have made composing so much easier.

For me, everything changed radically in the last couple of years. I used to write out the words with chords, put together beats and build on top of that. Now, I almost always write out the melody first in actual music. I use a program called Notion. Some of the instruments are written straight in there. Then I’ll export it and continue in my main music program, Logic. REFUGE is a string quartet and was completely written in Notion before I sang on it.

MissParker: How much do current world events influence your music, or is it mainly personal experience?

Benjamin Russell: That’s a big question! How can you avoid current events without sticking your head in the sand? THIS SKIN is intensely personal, about being ready for an internal change, but on another level, it’s a statement of solidarity with everyone struggling to be seen for who they are, not their race, religion or gender.

I AM A STRANGER came from a dream. I was in a big crowd at some event, a conference or something. No one knew each other, but before it started, everyone stood up, faced their neighbours and sang a song together. I told Elyce about it and we wrote this song. She calls it an anthem. My waking dream is that that could happen one day, that everyone could sing it with me.

Elyce: This is where I step in and tell him not to get carried away! (laughs) I just know that it makes me feel positive and hopeful.

Benjamin Russell: We need to remember that the world is many individuals and each one is important, crucial even, in unique ways. IF asks and answers the question: “What if you were never here?” BLINDED BY NEED, shows how we get so caught up in our own pains and insecurities that we become blind to each other. Are these personal or are they issues everyone in the world has to deal with? I believe it all starts with each one of us if we want to heal our world.

MissParker: I know no one is really performing live at the moment, but prior to COVID, had you been performing at venues? When the COVID crisis is over, do you plan to take your music on the road?

Benjamin Russell: These days I’m strictly a studio artist due to our situation.

MissParker: Do you think the creative solutions that artists have come up with to circumvent COVID restrictions and get their music out to the fans—Zoom, YouTube, Streaming—will permanently change future live music performance?

Benjamin Russell: There’s nothing like a live concert. Whether in an intimate club or a huge stadium, the experience is so much more than just the artist and music. Everyone’s energy contributes. Fans and feedback generate something on a whole other level. That’s what’s so hard about not performing – it starves an artist’s need to connect.

That said, thank God for the internet! It’s helped me keep in touch with fans all over the world and allows me to release an album like BALANCE without touring. Videos on Youtube give a taste of what a performance might be like, but like everyone else, I can’t wait for live performances to come back!

MissParker: I’ve spoken to other artists who say the creative flow never stops—that even though this album is complete, there’s so much creativity waiting to get out that more songs are already writing themselves. Does that ever happen to you, or do you try to take a break between each completed collection?

Elyce: Try and stop him! Creating for Ben is like breathing. If he takes a break from music, then he’s doing photography, poetry or painting. Lately he’s even managed to combine them all in his Instagram posts which I think would make a great coffee table book. Knowing him, the next album could start with the cover design, a drawing which inspires us to write a song.

Benjamin Russell: I don’t know. If I never made another album after BALANCE, I’d be OK with that. It’s that important to me – a distillation of what we have learned.

I’ve already finished more songs which could have been on this album, but a lot of thought went into the flow and balance and they didn’t quite fit. I’m working on a remake of ONE LOVE from my 1984 album. People keep requesting the original, but I don’t have the rights to the recording and TGO Records, my label back then, is defunct.

Missparker: Where can people listen to and purchase your music?

Benjamin Russell: All my music is online (except for my 80s albums which are out of print but even they can only be found on Ebay, Discogs, or whatever). My vinyl and CDs are available on Bandcamp. I’m on Spotify, Apple Music, Amazon, Youtube, and anywhere else you get your music online. Streaming doesn’t pay much per play, but when people put you on their playlists, it adds up. And I know people are listening, which keeps me creating.

Missparker: This has been fun! Thank you so much for taking the time to share your music and your thoughts with us. Looking forward to future releases!

Benjamin Russell: Thanks for asking. You do so much to support independent music and spread the word. It has been a real pleasure and it is wonderful to reconnect with you!

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Show your support for these incredible artists:

Spotify: https://open.spotify.com/artist/2yw3ijBg4Tenp3Ul1zuoPg

Apple Music: https://music.apple.com/us/artist/benjamin-russell/47225251

Youtube: https://www.youtube.com/user/tcbemusic

Amazon: https://www.amazon.com/Benjamin-Russell/e/B003CHAZR6/digital/ref=ntt_mp3_rdr?_encoding=UTF8&sn=d

Bandcamp: https://benjaminrussell.bandcamp.com

Facebook: https://www.facebook.com/BenjaminRussellMusic

Twitter: https://twitter.com/mtl_bar

Instagram: https://www.instagram.com/bar.mtl.poetry/

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Videos

From Shikasta Suite~THE LEAF

SHADOWS

From SUNDOG~BABYLON BABIES

LOVER

From GURU GROAN~HOUSE OF THE RISING SUN

From ROCKHILL~DECEMBER

Marsbar Playlist ~ 5-4-2014

May 4, 2014 by missparker0106

May 4, 2014

David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight. Streaming live via the Internet. Join the fun and get some interesting (and always entertaining) information at the new forum on Marsden Global. Miss a previous podcast? They are archived by Neil here: http://www.marsdentheatrearchives.com.

The complete list thanks to much-appreciated post-10PM help from JerusalemSlim:

Bill Nelson – Contemplation
Box – Crying Out Loud For Love
Boxer The Horse – Sentimental/Oriental
Boz Scaggs – Loan Me A Dime
Comsat Angels – I’m Falling
Crossfade – Dead Skin
Cut Copy – Future
David Bowie – Love Is Lost
David Usher – Love Will Save The Day
Dee Long – Good Night Universe
Diodes – Tired Of Waking Up Tired
Elbow – The Fix
Feargal Sharkey – You Little Thief
Gazebo – I Like Chopin
Godley & Creme – Snack Attack
Grapes Of Wrath – Good To See You
Heaven 17 – Let Me Go (extended 12″ mix)
Hidden Cameras – The International M.M.A. The Mild Mannered Army
Howard Jones – New Song (extended remix)
Icehouse – No Promises
John Cooper Clarke – Beasley Street
Jools Holand & His Rhythm and Blues Orchestra – Wish I Knew How It Felt To Be Free
Kinks – Lost And Found
Klaatu – Dear Christine
Korgis – Young ‘N’ Russian
Level 42 – Lessons In Love (12″ mix)
Malcolm McLaren – Madam Butterfly (Un Bel Di Vedremo)
Matchstick Afro – Fink Fank Fonk
Pink Floyd – Echoes
Pop Will Eat Itself – X,Y & Zee
Procol Harum – Conquistador
Pukka Orchestra – Your Secret Is Safe With Me
Shins – The Rifle’s Spiral
Southside Johnny & The Asbury Jukes – Walk Away Renee
Steve Harley & Cockney Rebel – Here Comes The Sun
Stranglers – Midnight Summer Dream
The The – Perfect (12″ mix)
Thompson Twins – Don’t Mess With Dr. Dream
Timber Timbre – Magic Arrow
Trust – Sulk
Ultravox – Brilliant
Waterboys – Song Of Wandering Aengus
Within Temptation – Our Farewell
Yaz – Situation
Zeus – Now That I’ve Got You

80’s (and sometimes 00’s) Music Rules ~ Benjamin Russell’s CD “Rockhill”

April 22, 2011 by missparker0106

A few weeks ago, I had the pleasure of interviewing Benjamin Russell. Since then, I have had the equal, if not greater pleasure of listening to his latest CD Rockhill. I wanted to share my impressions of this expertly crafted collection with you.

From the first opening notes of “Starved,” I was hooked on the Rockhill CD. Most collections I listen to have a consistent and central mood that runs throughout. Nothing wrong with that; for many of us, the listening experience is reminiscent of a great movie or novel that keeps us riveted through beginning, action-packed middle, and satisfying end. Rockhill does this and more—not only does it bring us on a welcome journey, it runs the gamut of emotions to keep us a bit off balance (in a good way), and waiting in anticipation for the next track to see where it will transport us.

“December”’s earnest and energetic hooks make it impossible to not either chair-dance, sing along, or both. This is the high-powered introduction that grabs listeners and draws them in to a plot filled with exciting twists and turns.

“Magic” feat. Sandra Chechik is a whimsical, upbeat song. I dare you to remain in a sullen mood while listening to this track. It picks away at any bad feelings you may have until they crumble, sulking away and leaving your inner self feeling refreshed and renewed.

“Ghost” starts out in a mysterious, darkly-tinged way, until Benjamin’s melodic voice comes in and puts all our fears at ease. It’s not meant to frighten; rather it’s a bedtime story that allows imagination to wander until it’s time to switch off the lights and welcome dreamland.

“Space” has an ominous, atmospheric tone; Benjamin’s voice expertly hits the lower scale, introducing us to his amazing range, in case we weren’t already aware of and amazed by it. Clearly, this incredible voice is going to be the most important element that Rockhill has to offer.

“Hunger” feat. Fred Lemlin has an appropriately angry sound. He’s pissed off, and not afraid to share that with us, giving his soul a public cleansing that we can all identify with.

“Quiet” is reminiscent of the finest that Waterboys had to offer. Russell’s voice evokes the very best that Mike Scott gives as front man for the Waterboys, as well as Matt Johnson from The The. It has the right edge to keep us engaged and interested, yet soothes us through all of the highs and lows.

“Water” feat. JF Dumais spins a tale that draws us out of the shadows and “gives meaning to our lives.” If you have ever thought of giving up, this is the song that cheers you on to keep going.

“Breakaway” is a mellow trip down a winding road that brings the listener straightaway into the comforting, waiting arms of “Connection” feat. Peter Patrick. These two tracks hold a magic one-two punch that keeps the CD, and the listener, advancing through a melodic wonderland.

“Time” takes us on a journey through a different dimension underscored and highlighted with swelling electronica and a driving rhythm section. It feels like we are traveling, and the music is our vehicle for getting there.

“Slipping” is a beautiful ballad that pays homage to a love that’s slipping away. It works through the how’s and why’s of what is happening, and tries to recapture what once was.

“Believe” assures us there is more to life, and that we all need to have something to believe in, namely a true love that sustains us through all trials and tribulations. It’s a beautiful song with an equally beautiful, uplifting theme. The horns are a lovely and fitting accoutrement to the bounty this song serves.

“Garden” has a hint of C&W, that segues into Bowie-esque vocals, spinning a tale of where love comes from. The picture this song paints is a Monet splash of light and color, sure to cheer even the most down-hearted soul.

“Belong” urges listeners through the challenging pathways of life, letting us in on the secret that “hopeless situations aren’t so hopeless.” If we create a united front, together we can overcome anything life throws our way. What a fabulous messsage to hear, especially given the state of the world today.

“Deep Magic” breaks up the serious themes of the preceding songs with a perfectly executed falsetto against a hard-core background. It’s a song of contradictions, both lyrically and musically, that work incredibly well, evoking the CD’s earlier songs and tempos.

Rockhill closes with“Artist.” If the opening lines of this track don’t make you smile, there’s no hope for you. It starts out bordering on being the slickest pick-up line known to man, but Benjamin pulls it off as something pure and beautiful. It’s fitting that this eclectic, expertly written and executed CD collection should close on such a high note.

Do yourself a huge favor, and visit Benjamin Russell’s site: http://www.benjamin-russell.com/index.html

While there, use any of four available links to order Rockhill. If you are anything like me, you tend to select and cue up music that fits your current mood. Even so, sometimes it’s just downright magical to play a CD like Rockhill that will tickle the full spectrum of your emotions, leaving you feeling enriched and uplifted.

80’s Music Rules ~ Criminally Underrated Artists/Bands ~ Benjamin Russell

April 7, 2011 by missparker0106

Quite often, listening to David Marsden and Ed-FM introduces me to fabulous music that I missed out on the first time around. Both DJs are committed to promoting underrated musicians, unearthing gems to share with their listeners. As a result, we are are always the winners.

Benjamin Russell is one such criminally underrated artist. I first heard his rare and obscure 80’s song “Miracle” on Ed-FM’s Retrospect show from CFRC. A while back, I attempted to research and write a “Criminally Underrated” article about Mr. Russell, but wasn’t able to find either “Miracle” or much information, at all. Lucky for me, he recently left a comment on one of the playlist postings; it lead to some correspondence, culminating in today’s interview. So, sit back and take a few minutes to experience this uber-talented, charming, and endearing musician.

You can listen to “Miracle” here.

Benjamin Russell Interview ~ 4-1-2011

Q – When did you know that you wanted to be a musician?
A – When I was about 2 years old, I heard “rock’n’roll” on the radio, loved it, and tried changing the channels to get the songs I liked. Ever since then, I dreamed of being the one making music, but never thought I could do it until my sister got a guitar and learned to play. I figured if she could do it, so could I. I never looked back.

Q – What/who inspired you to choose music as your profession?
A – It was the crazy days of the late 60’s, early 70’s when there were no rigidly defined genres. You had bands like King Crimson who did the heaviest rock imaginable, but they had sweet beautiful music on the same record. Elton John’s first record was all over the place. When I heard Dylan doing” Tambourine Man” and “The Sounds of Silence” by Simon & Garfunkel, I realized I didn’t need a band to get started, so I jumped in.

Q – What artist(s) influenced your music back in the beginning, and now (if different)?
A – I’ve always tried to be original, but I listen to everything I can. As Elvis Costello says, “It’s not IF you steal, it’s WHO you steal FROM.”

But my thefts always get filtered through my bent sensibilities. The best example is MIRACLE. My producer actually tried to get me to cover “Let the Music Play” by Shannon with the idea that our version would come out in Canada before hers and we’d basically steal the sales. But I just couldn’t do it. To appease him, I sort of turned it inside out and put my thing into it and that’s MIRACLE. Can you hear Shannon in there?

One HUGE influence was the B52’s. I can clearly remember walking down St. Laurence in Montreal and passing an open door with a jukebox playing “Planet Claire” and it was like a switch went off in me! Eurythmics’ “Sweet Dreams”, Gary Numan’s “Cars”, XTC’s “Respectable Street” – those were the magnets drawing me away from The Clash when I was doing my “Pop Modern(e)” album for TGO.

Q – Who do you currently listen to?
A – I’ve got a long list and it just keeps on growing. I still love most of what I’ve loved since I was a kid, but there’s amazing new stuff every day. As I’m writing this, I’m listening to The Black Keys new CD. I really like the last couple of Kanye West and Lupe Fiasco CDs. K’naan is a big fav. Adele, Ray Lamontagne, Keane, Kenna. Geez, there’s just so much good music! One of my new discoveries is pretty old stuff, but it’s new to me – Shostakovich – I’m enjoying his string quartets. The guy had to write this stuff in secret because it wasn’t state approved in the Soviet Union. I relate to the underground aspect and the emotional intensity.

Q – Which comes first – the music or the lyrics, and why?
A – That’s changed from when I first started writing songs. In the beginning, it was always words first, then music. But now I hear stuff in my head, try to grab it before it flies away, and often it’s the music first. Sometimes I have these amazing dreams where I’m writing a song and playing it for someone at the same time. I wake up and just write it all down – it’s like words and music spontaneously erupting together!

Q – Have you been recording steadily over the past 20+ years, or have you taken a break?
A – I have never stopped writing and recording. Simultaneously with me being nominated Most Promising Male Vocalist in the nationally televised CASBY Awards, I had “irreconcilable differences” with TGO, my label, and had to get a lawyer to get out of the deal.

To be fair, I don’t think Tony Green knew what he was getting into when he signed me. I’m fiercely independent artistically, and I was naive enough to think I could get away with it while suckling at the teat of the mainstream industry. I’ve made 9 albums since my 15 seconds of fame in the 80’s. The newest one, ROCKHILL has some stuff on it that my fans from back then seem to like, STARVED, DECEMBER, DEEP MAGIC, QUIET, GHOST.

Q – What do you think of the availability of music electronically?
A – Artistically it’s the best thing that’s happened to me! Now I don’t need to bend to label pressure and can do exactly what I want.

It’s not just that you can distribute online. Technology makes it easier to make music. I’m hearing amazing stuff from people that no one’s ever heard of. Back in the 80’s I had a huge investment in synths, drum machines and racks of gear. My laptop all by itself blows that stuff out of the water. But I’m perverse – now that technology is easy, the challenge for me is to play acoustically without it.

Q – If you could perform anywhere in the world, where would it be?
A – Somewhere with palm trees, maybe the Acropolis or Delray Beach. Seriously, I love to perform and if you put me in front of an audience who loves music, I’m happy.

Q – Now the tough question: If you were on a desert island, which 10 albums would be must-haves?
A – That’s not hard. The island would be made of all my favourite music – you could just pile up all the albums from the floor of the ocean and make me my own private atoll.

Oh, you mean… I have to pick 10?!!! Whatever I picked I would seriously regret later because I would be missing something desperately. Assuming I’m not allowed to pick my own music (I make music I love, after all…)

1) Bob Marley & The Wailers – Rastaman Vibration
2) The Clash – London Calling
3) Beethoven’s 9 Symphonies by Herbert von Karajan (it’s a box set – that’s not cheating is it?)
4) Elvis Costello – Get Happy
5) Harmonium – Cinquieme Saison
6) XTC – English Settlement
7) Yma Sumac – Voice of the Xtabay
8) Art of Noise – The Seduction of Claude Debussy
9) Adele – 19
10) Chilliwak – Chilliwak

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Buy Music:

iTunes – http://itunes.apple.com/ca/album/rockhill/id358711824
CDBaby – http://www.cdbaby.com/Artist/BenjaminRussell

On The Web:

Official Website: http://www.benjamin-russell.com
Facebook (just getting started with my music page – get a free song here): http://www.facebook.com/pages/Benjamin-Russells-Music-Page/242286627481?ref=mf

Video Links:

Video from 80’s: POWER OF LOVE