Saying “Good Bye” to My Beloved Sistahmar
I never imagined that I would begin 2012 by writing a memorial for my dear friend Marilyn Hamilton from Kitchener Ontario. “Sistahmar,” as she is known to her multitude of Marsbar Theatre friends and fans, left this world on December 31, 2011 at 8:50 AM. The only word that even comes close to describing how it feels to lose this precious friend and soul sister is “devastated.”
I had the privilege of meeting Sistahmar nearly 4 years ago when I stumbled into the Marsbar Theatre Chatroom. After listening to David Marsden‘s free-form, “anything goes” broadcast (streaming live over the Internet from 94.9 The Rock) and hearing the tales he spun about the chatroom regulars, I decided to take a walk on the “dark side” and check it out for myself. Upon entering the room, I was warmly greeted by the Roving Ambassador herself, launching what was to be a close and ironclad friendship.
Over the years, we have laughed, cried, loved, gossiped, shared, planned and even plotted together via telephone and email. The minute we realized we both had the same birthday, the unbreakable bond was forged. Marilyn fondly referred to me as her “evil twin sister,” a badge I wear with fierce pride, while she will always be my “partner in crime.”
Although the news of Marilyn’s passing was much like being hit by a speeding train, I have managed to find some solace in the pain and sadness. I believe she has finally been reunited with her beloved husband Bob, who predeceased her about 8 years ago. She missed him sorely, and instead of her loss becoming easier as time went on, it actually became more difficult. I imagine the two of them walking arm-in-arm along the banks of the lake they enjoyed so much in years gone by, pausing for a moment to share a whisper, steal a kiss, and have a giggle or two. There they wait patiently until they are finally reunited for eternity with all of the friends they loved so much, and who loved them, in this lifetime.
For my dear friend and soul sister Marilyn Hamilton who slipped from this world and into eternity, leaving a hole the size of the universe in each of our hearts: May you finally rest in peace. The light you gave to my life and so many others will never be extinguished, the joy you brought will always be remembered. Thank you for a friendship that transcended distance. I will always love you.
Gary Numan – Are “Friends” Electric? Montage – via YouTube user Knightvision 1228:
The Secret Life of Numanoids ~ Part One
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In case you’ve been under a rock for the past thirty years, or simply have never come across the term, Numanoids are Gary Numan fans. A rare and close-knit group, they are loyal, honest, caring, and kind, brought together from all over the world to support and honor a musician who has accomplished much during his more than 30 years in the business.
As a relatively new Gary Numan fan, I have been extremely fortunate to be embraced by his hard-core circle of fans, making contact through the blogosphere, YouTube, FaceBook, MySpace, and other online sources. Most Numanoids have been with him since the very beginning, the Tubeway Army days. Others, like me, have made the connection with Numan because of his dark wave/Gothic/industrial genre of music that he began to embrace in the early 90′s, connecting fully with the release of 1994′s Sacrifice album.
Rob Stuart (Canada)
Rob Stuart shares that he has been a Numanoid since 1978 (age 13). Musically, he had never heard anything like Gary Numan before. He says, “I remember hearing ‘Are “Friends” Electric?’ for the first time on my little AM radio during the top 20 count-down in England on a Sunday afternoon and being totally transfixed by the voice, the music! I knew I had to save my pennies and immediately buy the album. Once I saw the cover art I was completely hooked. Who was this alien, androgynous looking man?”
When asked what Gary Numan’s music means to him, Rob recalls, “It meant so much to me at that age that I started a band as soon as I immigrated to Canada (age 14). We called ourselves ‘The Plastic Omniums’ and played our first gig at a high school battle of the bands contest. All the other bands played Zeppelin and Rush covers while we got up there with our synths, a reel to reel tape deck, and a drum machine and played three songs: Opening with ‘Airlane’ from The Pleasure Principle album, then a cover of ‘Are “Friends” Electric?’ and closing with an original number called ‘Red Shift Expanse.’ I distinctly remember two-thirds of the kids in the audience booing while the others cheered. The cool kids got it! I still have a recording of that show.”
Rob cites Replicas as his favorite Gary Numan album, with the first self titled album Tubeway Army not far behind. He feels that Replicas is a modern-day masterpiece from start to finish. As for his favorite songs, the list is pretty extensive: “My Brother’s Time,” “The Machman,” “M.E.,” “Pure,” “You Are In My Vision,” “A Question Of Faith,” “The Iceman Comes,” “Fadeout 1930,” “Every Day I Die,” “Are ‘Friend’s’ Electric?,” “A Subway Called ‘You,’” “The Aircrash Bureau,” “Bombers,” “My Shadow In Vain,” “Crazier,” and many more.
Rob’s most exciting Gary Numan moment was very recently when he met Numan in Toronto in October 2010. He tells us, “We had a fairly lengthy discussion about doing a remix contest of his music. He told me he didn’t see the point in it. I told him that many of his fans are musicians and would love a chance to remix his work, and that it was a great way to promote his music, especially on social networks. Lo and behold, a couple of months later, he has the ‘Back to the Phuture’ remix contest for ‘Scanners.’ I was happy that he took my suggestion. You can hear my remix here: http://soundcloud.com/rob-stuart
Rob continues, “I was also very proud to be on the same CD as Gary Numan once in Future Music Magazine Issue 101, Aug 2000. GN was on the cover being interviewed about the release of “Pure” and (my group) SLAVE to the SQUAREwave had the song ‘Heavy Bones’ featured on the free CD that came with the magazine.”
Asked what his favorite way to express his love for Gary Numan is, Rob states, “Doing cover versions of his music either live or recorded. Here is a cover I did of ‘Films’ back in 1995.”
Electronic Dream Factory – “Films” via YouTube user Akito01:
He also shares, “Like all of my musical heroes (Bowie, Eno, Kraftwerk, Underworld, Tangerine Dream), Numan is an innovator, an original. And like all super-talented artists he is humble and down to earth. He’s not afraid to try something new and hang them out there. Sometimes it doesn’t work, but when it does, it’s life-changing and timeless.”
Meemz (Belgium)
Meemz has been a fan of Gary Numan’s for as long as he has been active in the music scene – since 1979. What initially attracted her to him, as she recalls, was Numan’s voice, music, and appearance, being “different.” And, as for his music, Meemz states, “His music touches my heart and soul any time, good or bad.”
Meemz lists the following albums as her favorites: Jagged, The Pleasure Principle, Telekon, Replicas, Sacrifice, Exile, and Pure. Her favorite songs include, “Jagged,” “Haunted,” “Rip,” “Metal,” “Seed of a Lie,” “Crazier,” “Crawl,” and, in her own words, “so many others.”
The most exciting Gary Numan moment for Meemz was the first time she met him at a concert in Bristol in 2009. An accomplished artist, she not only had the thrill of meeting Gary Numan up close and personal, she also presented him with a portrait that she had painted.
In addition to painting numerous portraits featuring Gary Numan, Meemz also does some very clever photo edits. Along with these creative endeavors, Meemz professes the best way to show her love for Gary Numan is “being and staying a Numanoid for as long as I live and far beyond.”
Finally, Meemz states, “I like his old and new stuff, and hope he’ll be making music as long as he can. When I talk to people about Numan in my country (Belgium), I can’t explain what it really is, the feelings us Numanoids have about him. It’s not only his music and all, but just the person that he is. He’s really one of a kind and we love him for it.”
Vikki (UK)
Vikki has been a fan for 32 years, the entire duration of Gary Numan’s career. When she was only 10 years old, she first saw Numan on the British music show Top of the Pops. Her initial reaction was to fall in love with the song he was singing, “Are ‘Friends’ Electric,” all the while thinking, “Ewwwwwww, he’s weird!” Needless to say, that first impression eventually yielded to a more mature, long-term, and undying love.
When describing the impact of his music, Vikki says, “His music means a lot of things to me. Because I’ve been a fan for such a long time each album reminds me of a different time in my life. Pure is my divorce album!” She also lists Jagged as a favorite. When pressed to list her favorite Numan tracks, Vikki’s reaction is, “Too many to mention. But off the top of my head: ‘Sleep by Windows,’ ‘Haunted,’ ‘Jagged,’ ‘Observer,’ ‘The God Film,’ and ‘My Breathing.’”
Recalling her most exciting Numan moment, Vikki observes, “Has to be the first time I saw him live, October 1983. He was ill, so I didn’t get to meet him. I was gutted!”
Vikki expresses her love for Gary by shouting/writing NUMMMAAAAANNNNNNNNNNNNNNNN! wherever and whenever possible. She adds, “Plus, wearing Gary Numan t-shirts – you cannot wear a Gary Numan t-shirt without someone making a comment or singing ‘Cars!’”
In closing, Vikki shares these anecdotes:
“I once lost my mum whilst out shopping. A record stall was playing “Are ‘Friends’ Electric?” and I just had to stop to listen to it. Of course my mother carried on walking and I lost her.”
“And, one thing I must add; Gary Numan fans are the nicest people you could ever meet. I took my friend to see him back in 2009 and she was gobsmacked at how nice people were. I’ve never been to a Numan gig where I haven’t got chatting to someone and shared some great moments. I once spent an evening with the band drinking before they went on stage. All my friends kept coming up to me saying ‘why are you sitting with the band?’ A roadie called Gary (who was miffed because he was called ‘Gray’ in the tour programme) fancied me so I got in with the crowd.
“I also came very close to sharing the tour bus with Gary Numan. His support band Hohokam invited us back to the hotel (nothing smutty!) but some security guy said we could walk as the hotel was only down the street. I still hate that man! Oh, and once my mum had a go at Beryl and his security guard which was very embarrassing!”
Kristin Harris (USA)
Kristin Harris, graphic and video designer, has been a full-blown Numanoid since late 2006.
When asked, “What drew you to Gary Numan?” her reply: “His newer music captured me first. I’ve never heard anyone like him. I was drawn to his beautiful voice and loved how atmospheric his music was. I eventually ventured on to YouTube and once I saw him in action, I was completely hooked. His looks don’t hurt either.”
Kristin goes on to explain that Gary Numan’s music is her escape and it has inspired her in her creative work. It’s difficult to pick just one of Numan’s albums when citing a favorite. When pinned down, Kristin chooses Jagged (closely followed by Pure, Exile, and Hybrid). Her favorite singles are “Haunted,” “The Fall,” “Crazier,” “Jagged,” “Pure,” “Replicas,” “Films,” and the song “Slide Away” from Ade Fenton’s album, as well.
Kristin recalls her most exciting Gary Numan moment: “Meeting him for the very first time in July 2007. He is so lovely and down to earth. Also, getting to work for him on the t-shirts. That was a huge honor.” She finds that the best way for her to express her love for Gary Numan is through her music videos and graphics. She also promotes his music using her favorite films and TV shows.
View Kristin’s videos here: http://www.youtube.com/user/knightvision1228
View her graphic designs here: http://www.kristinharrisproductions.com/musiciangraphics.htm
Paula Raven (Fallen Angel) (UK):
Paula is another lifelong Numanoid who has been a fan since 1979-80. His “distinctive style and amazing electro sounds” are what first drew Paula to Numan and his music. She goes on to say, “I had never heard anything like it before. He wasn’t like other bands of that time; he stood out from everyone else. I was looking for someone to blow me away with a unique style and sound, and found just that in Gary Numan. I remember thinking, ‘this man has come along in the music world, years before his time.’”
Paula continues, “Gary once said, ‘I am just an arranger of noises.’ I say to that, ‘Yes, Gary, you show us just how music is meant to sound.’ The machines rocked in 1979, and continue to do so to this very day.”
When asked what Gary Numan’s music means to her, Paula is very direct in her response: “His music is everything that makes my world tick. He has an album for every mood I’m in, and his music makes me smile, laugh, and cry. You can’t help but connect with his music and lyrics in some form or another.”
Paula pushed back a bit when asked about her favorite album. Stating that it was impossible to narrow the choice down to just one, she settles on her favorite top three: first, Telekon, “a masterpiece in its own right,” Exile, and Pure. She also settled on her top three singles: “The Fall,” “Every Day I Die,” and “My Shadow In Vain.”
Paula shares that her most exciting Gary Numan moment was meeting him in 2009, at Bristol, after waiting over 20 years for just that moment. She had met him back in the 80′s at one of his airshows, but that was only a very brief “Hello Gary” moment. “In Bristol I had a whole 10 minutes with him. I was so excited, we waited for over an hour for him to appear. He was so kind and sweet, and I asked him if he would sign my photo of him. It was an old photo of Gary when he was very young; a fan club photo. I said, ‘You look so young in that photo, Gary.’ He laughed and said, ‘I know (with a grin on his face). My wife keeps finding old photos of me, just to remind me of how old I’m getting.’ And we both laughed. He then put his arm round me so I could have a photo taken with him. It was an amazing moment in my life, and one I won’t forget.
Paula has chosen to put together her own Gary Numan website, “Pure Numan,” (http://www.pure-numan.com/) in order to pay him homage. It is her way of showing the love and respect that she has for the man who not only changed the music world, but has given his fans the best music and live stage shows possible.
Paula shares, “I have been a big fan since the very beginning, and feel like I’m growing old with him. But to put it in a nutshell, I couldn’t think of anything better than being a true fan. I’ve met along the way some fantastic people, and I wouldn’t change any of it for all the money in the world.”
Richard Cubbon (Canada)
Richard is another lifelong Numanoid, following Gary Numan since around 1978-79. Of that time, he recalls, “I was just getting into Kraftwerk and Jean Michel Jarre and heard “Bombers” from a friend of mine. I loved the use of the early synths in a way that no other bands were using them, like on the first Tubeway Army album. I was playing bass at the time and loved the hollow sound of the Moogs and that sort of swayed my intrumental choice towards synths. I got my first synth around the time that Replicas came out over here, and that led me towards more synths and learning how to produce the hollow sounds with that thick Nuclear Reactor sound.
Explaining what Gary Numan meant to him, Richard says, “Gary Numan’s music and the lyrics always meant something special to me. I never fit in with any group growing up, and the songs took on a special meaning to me.”
Asked which album is his favorite, Richard explains that it’s a tie between The Pleasure Principle and Telekon. The same goes for naming a favorite single: Richard finds that it’s a tie once again, this time between “Sleep by Windows” and “Airlane.” But when it comes to his most exciting Gary Numan moment, the answer is direct and without hesitation. It was seeing the Telekon tour back in 1982.
Richard adds, “I always tell everyone who likes any type of music that involves synths, electronics or processors, there are three bands that had the most impact on music we listen to today: Gary Numan, Kraftwerk, and Jean Michel Jarre. To me, it’s in that order of importance, too.”
Richard expresses his love of Gary Numan by writing and playing music that is heavily Numan-influenced, and insists will always remain inside of him.
JaggedHaloUK (UK)
JaggedHaloUK has been a Numanoid since 1986. What started this decades-spanning love was a friend playing “I Can’t Stop.” JH UK was instantly hooked on the sound and image that the song and Numan portrayed.
When asked what Numan’s music means to him, JaggedHaloUK replies, “Everything, It’s very inspirational.” He cites these albums as his favorites: Telekon and Jagged, especially the track “In a Dark Place” from the latter.
As with many Numanoids, it’s very difficult for JaggedHaloUK to narrow down a list of favorite songs to one. He provides the following list, instead: “When the Sky Bleeds,” “Jagged,” “Haunted,” “I Dream of Wires,” and insists that “there’s so many more I could list.”
By far, JaggedHaloUK’s favorite moment as a Numanoid was meeting and chatting to Gary after a gig. He was also invited into one of the after-show parties at the hotel where Gary was staying during a tour, and also had a photoshoot with Gary’s official photographer, Ed Fielding.
When asked how he expresses his love for Gary Numan, JaggedHaloUK responds, “Recording my own cover versions of his songs and going to his shows. Also, searching for Numan clothing to wear at gigs.”
In addition, JaggedHaloUK states, “Being a Numanoid is a way of life almost; it changes the way you see things and how you react to the world. If it wasn’t for Gary Numan, I would never have gotten into music and that in itself has led to many happy memories of playing in bands and doing live gigs. I gained live music experience with a band I played synths in called the “hottest state” and have since worked with the fantastic Replicas, a Gary Numan tribute band, and I’m also busy in my studio recording more cover tracks for them. I’m also involved in the running of a Gary Numan fan site called “Pure Numan” (http://www.pure-numan.com) and I’ve been doing some music for the site.”
As if that wasn’t enough, JaggedHaloUK also has his own Gary Numan tribute website: http://www.jaggedhalo-uk.com. The pictures of him on his website were all taken by Ed Fielding, official photographer to Gary Numan.
Karl Lyndon Donald (Ireland)
Karl is a die-hard Numan fan, and man of few words, that I met on YouTube several years ago. He left some comments on several Gary Numan fan-video montages that I had done (and have since removed when Eagle records got on their legal high horse). Karl and I have kept in touch through FaceBook, and he has introduced me to countless other Numanoids. I am very grateful for that.
Karl reports that he has been a Numanoid since the beginning, around 1979. His first recollection was seeing Gary Numan on Top of the Pops and thinking he was really unique.
When asked what Gary Numan’s music means to him, Karl replies, “His music helped me through painful teenage years.” He cites The Pleasure Principle as his favorite Gary Numan album.
Karl’s favorite single is “Remind Me To Smile.” His most exciting Gary Numan moment was, in his own words, “Speaking to him for over an hour at Derry Airshow.” Karl’s favorite way to express his love for Gary Numan was to copy his hair color and style at the time.
I also happen to know that Karl has another very special way of expressing his feelings for Gary Numan. He has a huge tattoo on his back that is the well-known Numan facial graphic from The Tubeway Army LP. Any description of Karl as a loyal Numanoid would not be complete without a picture of this amazing tattoo.
The Secret Life Of Numanoids ~ Part Two
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Mark Ryan
Part of a unique and vital core of longtime fans, Mark has been a Numanoid since Numan started performing – late 1978, to be exact.
When asked what drew him to Gary Numan in the first place, Mark replies, “He was just totally different to anything I had heard or have heard since.” He continues, “I have listened to him through various stages of my life, good and bad, high and low; every song that he has written, I can relate to.”
A difficult task for any Numanoid is to pin down what their favorite album is. This is what Mark had to say about when asked: “Far too many, but The Pleasure Principle (as it was different and unique), Dance (which is totally underrated and the songwriting is just great on here), and Pure (just far too good to describe in simple words).”
When asked for his favorite Numan songs, Mark explains, “I’ve recently been asked to pick my top 25 favourite Numan songs, but how can you start? However, I do love “Stories” (which I first heard on Numan’s 1980 tour), “Films” (which is like drum and bass before it got popular), and “Please Push No More,” a great song done live at Wembley in 1981 – it was awesome and emotional.”
In describing what excites him most about Numan, Mark declares, “When I hear that a new artist is influenced by Gary, his legacy lives on.” Mark goes on to say that he expresses his love for Gary Numan by “playing his music, and talking and discussing Gary’s music and what it has meant to myself.”
In closing, Mark is happy to report, “Recently, I played Jagged for a couple of work people who are into rock. They now tell me that they are Numan fans.”
Anything else you’d like to add? “NUMMMMMMMMMMMMMAAAAAAAAAAAAAANNNNNNNNNNNNNNNN!”
“Stories” via YouTube user GaryNumanAlbums:
Gary Numan Live in London and Manchester ~ April 1 & 2, 2011
Copyright (c) Mimi 2011
Gary Numan gave phenomenally great performances billed as “Back To The Phuture” last weekend at the Troxy in London and the Manchester Academy. In Manchester on April 1, Gary Numan and band shared the stage with Recoil, Motor, and DJ Mark Jones. At the Troxy, on April 2, other artists included legendary John Foxx, Mirrors, Motor, DJ Daniel Miller, and DJ Mark Jones.
There are some fantastic fan videos of various songs Gary Numan performed, including one that he penned just that week (“Obelisk/Everything Comes Down To This”). I’ve linked to some of the better ones below. Enjoy!
Gary Numan’s Official website.
“Pure (Live)” via YouTube user GaryNumanOfficial:
“The Fall (Live)” via YouTube user GaryNumanOfficial:
“Obelisk/Everything Comes Down To This” via YouTube user AlmaKnack:
“I Die You Die” via YouTube user AlmaKnack:
“That’s Too Bad” via YouTube user AlmaKnack:
“Haunted” via YouTube user TamTamster:
“Pure” via YouTube user TamTamster:
“Halo” via YouTube user TamTamster:
“Crash” via YouTube user TamTamster:
“Zero Bars” via YouTube user TamTamster:
The Secret Life Of Numanoids ~ Part Three
Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.
Paul Chandler ~ UK
Paul Chandler was kind enough to agree to be interviewed about what it’s like to be a Numanoid. A fan since 1978, he is one of the core, long-time group of fans that have followed Gary Numan since the very beginning of his career.
When asked, “What drew you to Gary Numan?” Paul had this to say:
“The early electronic sound and Gary’s vocal and image style is what drew me to Gary Numan. I was into music from an early age and was quite happy listening to bands like Slade and other glam rock artists. I did get bored quickly with the pop moulding that seemed to always happen; nothing different was going on, and I needed something that was not mainstream. Punk hit me straight away as it was a great escape from the humdrum. When I first bought (Tubeway Army’s) “That’s Too Bad,” I didn’t think that this was just another punk record. The music may have been of the same trend, but it was Numan’s vocals that drew me, and I felt that this was not quite right for a ‘punk’ record. “Bombers” confirmed that Tubeway Army were not typical punk at all, and something else was waiting to be unleashed! Replicas and The Pleasure Principle were the type of music that I had been waiting for! Ever since, I have filled my life with so much music and all because of Gary Numan and his style and uniqueness.”
Paul continues with an explanation of what Numan’s music means to him. “His music means everything to me. After hearing “Are ‘Friends’ Electric?” it blew my mind! His music from the early days still means as much to me now as it ever did. It was like having someone be there for you at a difficult time and they came through for you; a friend who is always there for you.”
“Are ‘Friends’ Electric?” via YouTube user scruffyonion:
Asked to provide the name of his favorite Gary Numan LP, Paul candidly responds, “Can I have 3? The Pleasure Principle, Replicas, and Telekon.”
Fortunately for Paul, there is not a limit in this series for how many favorite songs a Numanoid might list. He cites the following as his favorites:
“Here goes… Listen to the Sirens/Steel and You/Something’s in the House/Me! I Disconnect from You/Are ‘Friends’ Electric?/Praying to the Aliens/You Are in My Vision/We Are So Fragile/Airlane/Metal/Films/M.E/Conversation/Cars/On Broadway (Live)/This Wreckage/The Aircrash Bureau/Telekon/Remind Me to Smile/We Are Glass/I’m an Agent/I Dream of Wires/I Die: You Die/Slowcar to China/She’s Got Claws/Crash/I Sing Rain/Love Needs No Disguise/Music for Chameleons/This Is My House/We Take Mystery (To Bed)/Noise Noise/Warriors/The Iceman Comes/This Prison Moon/My Centurion/Sister Surprise/My Car Slides/Berserker/Cold Warning/Pleasure Skin/Creatures/Tricks/God Only Knows/Anthem/No Shelter/My Breathing/Unknown And Hostile/This is Emotion/Hunger/Voix/Respect/I Don’t Believe/Soul Protection/Confession/The Skin Game/A Question of Faith/Scar/Love and Napalm/Dominion Day/Prophecy/Dark/An Alien Cure/Pure/Walking With Shadows/Rip/My Jesus/Listen to My Voice/ I Can’t Breathe/Hybrid/Halo/Slave/In a Dark Place/Haunted/Before You Hate It.”
Paul recalls his most exciting Gary Numan moment as, “The first time I heard “Are ‘Friends’ Electric?” and waiting for new albums!”
As for his favorite way to express his love for Gary Numan, Paul states, quite simply, “Loyalty.”
Paul continues, “When you follow an artist who has changed your life and given you an opening to absorb various other music, you do feel the highs and lows of their career. You want them to rule the world of music and to climb back into the limelight,when all goes dark and comes to perhaps a point of no return. When times were bleak for Gary Numan, regarding record sales etc., I always knew he would find his way again! With each record that was released, I kept hoping that this would be the one!
“Some may not approve of his vocal and music style, but there is much more to Gary Numan than meets the eye. You can hear on tracks such as “Crash” and “This Wreckage” that his vocals can be stretched. Often, because of his distinctive vocals, Numan is dismissed for having a high vocal range. I think that this is far from the truth! These vocal tones are what make him unique, and the great artist that he is and always will be!
“’Nuff said.”
80′s (and sometimes 00′s) Music Rules ~ Benjamin Russell’s CD “Rockhill”
A few weeks ago, I had the pleasure of interviewing Benjamin Russell. Since then, I have had the equal, if not greater pleasure of listening to his latest CD Rockhill. I wanted to share my impressions of this expertly crafted collection with you.
From the first opening notes of “Starved,” I was hooked on the Rockhill CD. Most collections I listen to have a consistent and central mood that runs throughout. Nothing wrong with that; for many of us, the listening experience is reminiscent of a great movie or novel that keeps us riveted through beginning, action-packed middle, and satisfying end. Rockhill does this and more—not only does it bring us on a welcome journey, it runs the gamut of emotions to keep us a bit off balance (in a good way), and waiting in anticipation for the next track to see where it will transport us.
“December”’s earnest and energetic hooks make it impossible to not either chair-dance, sing along, or both. This is the high-powered introduction that grabs listeners and draws them in to a plot filled with exciting twists and turns.
“Magic” feat. Sandra Chechik is a whimsical, upbeat song. I dare you to remain in a sullen mood while listening to this track. It picks away at any bad feelings you may have until they crumble, sulking away and leaving your inner self feeling refreshed and renewed.
“Ghost” starts out in a mysterious, darkly-tinged way, until Benjamin’s melodic voice comes in and puts all our fears at ease. It’s not meant to frighten; rather it’s a bedtime story that allows imagination to wander until it’s time to switch off the lights and welcome dreamland.
“Space” has an ominous, atmospheric tone; Benjamin’s voice expertly hits the lower scale, introducing us to his amazing range, in case we weren’t already aware of and amazed by it. Clearly, this incredible voice is going to be the most important element that Rockhill has to offer.
“Hunger” feat. Fred Lemlin has an appropriately angry sound. He’s pissed off, and not afraid to share that with us, giving his soul a public cleansing that we can all identify with.
“Quiet” is reminiscent of the finest that Waterboys had to offer. Russell’s voice evokes the very best that Mike Scott gives as front man for the Waterboys, as well as Matt Johnson from The The. It has the right edge to keep us engaged and interested, yet soothes us through all of the highs and lows.
“Water” feat. JF Dumais spins a tale that draws us out of the shadows and “gives meaning to our lives.” If you have ever thought of giving up, this is the song that cheers you on to keep going.
“Breakaway” is a mellow trip down a winding road that brings the listener straightaway into the comforting, waiting arms of “Connection” feat. Peter Patrick. These two tracks hold a magic one-two punch that keeps the CD, and the listener, advancing through a melodic wonderland.
“Time” takes us on a journey through a different dimension underscored and highlighted with swelling electronica and a driving rhythm section. It feels like we are traveling, and the music is our vehicle for getting there.
“Slipping” is a beautiful ballad that pays homage to a love that’s slipping away. It works through the how’s and why’s of what is happening, and tries to recapture what once was.
“Believe” assures us there is more to life, and that we all need to have something to believe in, namely a true love that sustains us through all trials and tribulations. It’s a beautiful song with an equally beautiful, uplifting theme. The horns are a lovely and fitting accoutrement to the bounty this song serves.
“Garden” has a hint of C&W, that segues into Bowie-esque vocals, spinning a tale of where love comes from. The picture this song paints is a Monet splash of light and color, sure to cheer even the most down-hearted soul.
“Belong” urges listeners through the challenging pathways of life, letting us in on the secret that “hopeless situations aren’t so hopeless.” If we create a united front, together we can overcome anything life throws our way. What a fabulous messsage to hear, especially given the state of the world today.
“Deep Magic” breaks up the serious themes of the preceding songs with a perfectly executed falsetto against a hard-core background. It’s a song of contradictions, both lyrically and musically, that work incredibly well, evoking the CD’s earlier songs and tempos.
Rockhill closes with“Artist.” If the opening lines of this track don’t make you smile, there’s no hope for you. It starts out bordering on being the slickest pick-up line known to man, but Benjamin pulls it off as something pure and beautiful. It’s fitting that this eclectic, expertly written and executed CD collection should close on such a high note.
Do yourself a huge favor, and visit Benjamin Russell’s site: http://www.benjamin-russell.com/index.html
While there, use any of four available links to order Rockhill. If you are anything like me, you tend to select and cue up music that fits your current mood. Even so, sometimes it’s just downright magical to play a CD like Rockhill that will tickle the full spectrum of your emotions, leaving you feeling enriched and uplifted.
80′s (and sometimes 00′s) Music Rules ~ Vladymir Rogov (ARKITEX)
I have had the absolute pleasure of making Vladymir Rogov’s acquaintance through the magic of the Internet. He graciously agreed to provide an interview. Much to my delight, he put a whole lot of effort and energy into his answers, making this a fabulous learning experience for us all. So, sit back, relax, and enjoy absorbing all there is to know about this personable and highly gifted artist.
Vladymir Rogov- In Sound and Vision
Where do you originally come from?
I usually start with “when.” I was born in West Germany of Russian parents. My first languages were Russian at home, Polish on the street and German at school. At age 11 I went to England and attended an English school. I was put in a class full of English kids until I started to understand what the teacher and the other kids were saying. That’s how I learned English, by deep immersion. I lived there for 16 years, during the 60’s and the early 70’s British music and cultural revolution. England was quite a contrast to Germany, which was ominously divided. Everything was in ruins, everyone was in transition and we were the “refugees.” After 16 years of English culture, I immigrated to Canada in ’75. This was a new world which sounded exciting. I lived in Toronto for 8 years. In ’83 I moved to San Diego, California.
What made you decide to go into music?
I think that I got swept up by music at a very early age and never brought down. Some of the first music I heard were Polish and Russian folk songs. The songs were deep, many were dark and many were funny. The Poles & Russians have a particular way of poking fun at their conditions. As a kid I would see people playing guitars and singing. It was uplifting and I wanted to do that too. I could not afford to buy a guitar, so I decided to make my own. By age fourteen, I had designed and built my own electric guitar. I plugged it in and it worked. This was in England, and the song I played was, “In Dreams,” by Roy Orbison. Who would have thought this was going to be my ultimate calling in life — music and design, sound and vision.
At first, I was directed into studying engineering, but I switched to art and design, and graduated from Guilford School of Art. I also played in a band called Red Earth all through Art School. We played all around the south of England. Later in London, I was designing slick furniture for Conran and the Habitat shops, while writing songs for Mickie Most (producer of the Animals’ “House of the Rising Sun,” Herman’s Hermits, Donavon, etc.). In Canada, I was designing things from car interiors to gas stations and recording songs that were played on the radio.
Who were your strongest musical influences?
As I mentioned, in Germany during the 50’s, the Polish and Russian folk songs. And Freddy Quinn, a baritone from Hamburg who sang about sailors, mothers, lost love, and the open sea. In England it was Elvis, Buddy Holly, Roy Orbison, Beatles, Dave Clark Five, Johnny Cash, Simon & Garfunkel, and Hot Chocolate. During my Canadian years I liked the sound of Gordon Lightfoot, Bob Seger, Talking Heads, the Cars, and Pink Floyd.
Where did the name for your first band – “ARKITEX” – come from?
I was preparing to play the HEATWAVE music festival in September of 1980 — as the opening act in a lineup that included the B52’s, Pretenders, Rockpile, Talking Heads, Elvis Costello, the Kings and more. I was rehearsing a backup band. We had to call the band something. Someone suggested “Vladymir and the Architects,” and it evolved into “Vladymir Rogov and his band Arkitex.” Eventually ARKITEX became my design project for the 80‘s, which resulted in the album in 1981.
What was your most exciting moment as a musician?
There have been many: hearing my first record on the radio; working with Mickie Most; playing a big outdoor concert like “Heatwave.” As a song writer, having a song covered by another artist – when Long John Baldry, (a legend) covered “Love is a Killer.” But these are the external moments. The internal moments happen when no one else is listening, while I’m playing alone. Getting that perfect combination of space between what my voice and what the guitar is doing. It’s unexplainable. When you fall into the perfect groove, it feels as if you can’t sing or play a bad line. Music is so much about the timing and swing. And when everything is in its place, it seems to defy gravity — gives me goose bumps!
What have you been doing since you disbanded ARKITEX?
After a particularly long and cold Canadian winter in 1983, and inspired by my song “First World Calling” from the ARKITEX album, I married my girlfriend and we drove off to California in my red VW bug — on a mission to elevate function to fine art, we opened a design studio in San Diego, and brought high-touch to the world of high-technology.
Do you currently have a band, or are you solo?
Technology has come up to a level where one person can be all the members of a band. Mozart was an individual who created music, but it took an army of players to reproduce what he heard. Today, it can take one or as many players or collaborators as you want, to capture a performance. On the new ARKITEX album, Glass Man, I am the band, with very special guest musicians, that came into my life.
Tell us about the latest tracks that David Marsden has been playing in recent months.
“First World Calling” – is from ARKITEX 1981, a “tongue-in-cheek” prediction about computer connection possibilities. Now we can do what l sang about. In fact billions of people are connected, globally. So, what began as a computer technology muse has become our reality. During the past 30 years, computers have created social media, internet radio, video and global connections on an unprecedented scale.
“Lincoln Walk” – ARKITEX 1981 was composed during the end of a stormy, winter when Torontonians are anticipating spring. A long walk along Queen Street East, developed the groove and it took off… a celebration of going outdoors without boots, coats, scarves, gloves…
“Where is the Love” – is a tortured love-lost rock ballad, from recording sessions I did back in Toronto (December 1994) with legendary producer, John Punter. This song includes Sam Reid from Glass Tiger, playing most of the keyboards. On guitar is the legendary Chris Spedding, and Liz… on background vocals.
“Everybody’s Crazy” – is from the new ARKITEX album, Glass Man. Based on the first song I ever wrote, back in 1969 in England. I sing and play all the instruments through the entire song.
“If a Tree Falls in the Forest” is also from the new ARKITEX album, Glass Man. It is a muse about true friends.
What inspired you to go back into the recording studio?
It’s been 30 years since the release of the first ARKITEX album. The process of recording is different from playing live concerts. I have been recording, starting with tape recorders, since the age of thirteen. Although my first two albums were recorded in Toronto studios, after moving to San Diego, I started creating my own studio and began recording again. Thirty years has to be some kind of a record, no pun intended, but recording studios have evolved for the better. There’s more time to experiment and learn new things. We have come up to a level where one person can be all the elements in a composition or band. Today I can go direct to play and record — sing the melody, set up a drumbeat, play a bass line, fill spaces with strings, play guitar, in any order that feels good, until I’m happy with the results.
Which comes first – lyrics or melody?
One, and the other. Sometimes simultaneously. On “If a Tree Falls in the Forest” from the ARKITEX album, Glass Man, the music came first. It started with an interesting piano chord progression — which I played over and over again. One day I thought I’d give it a try on my recording work station and it just took off from there. The music inspired the lyrics and it evolved very quickly. Those are the moments that I live for — experiencing a song/design that evolves from nothing to something. It’s magical. Some songs take years, even decades.
Each song tends to evolve out of itself. I’m often as surprised as anyone else with the final result. One can say things in songs which can not be said in any other medium. Michael Jackson once said that writing songs is like channeling an energy that is actually doing the writing. I feel the same way. One is not really in charge of what is happening. The skill/thrill is in going along with it, and capturing what shows up.
With “First World Calling”, the lyrics came first. I was reading an article in Canada’s Macleans Magazine (1979) about computers. The author was introducing these technology words that sounded cool. The article inspired the song. This has turned out to become a prophecy, a future vision about computers, in my amused way. The lyrics still make me laugh. I have since worked for many computer factories and today, computers are a window into other people’s lives. The song goes, “I got a job at the computer factory, exactly what I do has never bothered me. I feel at home with my computerized toys, don’t need to get around, nor do the rest of the boys…” Some prediction, eh? Here we are 30 years later and billions of people are connected via computers. Before that, we were individuals in countries, socially and spiritually isolated islands. Now, we can have friends on Facebook world wide. “We got communication at the speed of light, information of a laser’s byte. You can compute it, you can dilute it or turn it all into a ga, ga, game.” We can instantly share and explore ideas, dreams and convictions, on a global scale. It’s a magical time to be living.
Besides music, your other passion is design. What do you create, and how does it relate to music?
Although we are used to separating the disciplines, I wouldn’t be surprised if a formal study showed that more “modern musicians” have come out of art schools than music conservatories. Here are a few: The Beatles (John Lennon), The Rolling Stones (Charlie, Keith and Ronnie), The Who (Pete), The Kinks (Ray), Roxy Music (Eno, Bryan Ferry), David Bowie, The Clash (Mick, Paul, Joe), REM (Michael Stipe), Echo and the Bunnymen (Ian McCulloch), Pink Floyd (art & architecture), New Order / Joy Division, The Stone Roses, Talking Heads, Sonic Youth, Underworld, Radiohead, Kraftwerk, Linkin Park, and so on. On a recent trip to London I was in Harrods, an upscale department store, and was surprised to see watercolor paintings by Bob Dylan, for sale. I know him as a musician, but there were his paintings… Cool!
We live in a designed world. Making music is designing with sound. In the past, the amount of tools and equipment required to be able to create sound and vision side by side made it difficult. When I lived in London for example, I was designing slick furniture at Conran’s studio in one part of London, then I would take the tube over to Mickie Most’s offices across the city and write songs. In those days, those two activities could not occur in the same space. Today, neither activities need to take up a lot of space. This means that I can be designing a product, while creating the music to go with it, and produce a video about it at another computer station, all at the same time. That’s my evolution in design. I also follow the theory that “a change is as good as a rest.” So, when I need a rest from one project, I switch to the other, as a way to relax and re-energize. It also sets a pace of moving to my own rhythm — that’s my way of resting.
Over the years, I have designed everything — from musical instruments to luxury vehicles. Medical instruments to exotic lifestyle products. Military equipment to trade-shows for mega-brands like Chrysler, Fiat, Ford. Sleek home products from glassware to lighting. Coolers for Coleman; luxurious bathroom systems for Boeing; exotic seating for Aston Martin; self-serve gas station for Exxon; printers for Hewlett-Packard; motion capture cameras for Kodak; point-of-purchase displays for Yamaha; TVs for Samsung; clocks and musical instruments for CASIO.
Along with a plethora of criteria, the sounds that objects emit, play a critical role in our perception of quality. Beautiful things have desirable sounds and a certain rhythm about them. Over the course, my designs have helped improve the lives of people around the world. I have received numerous international awards, including two “International Design Excellence Awards” (IDEA) from the Industrial Designers Society of America.
On another level, as our worlds come together, people need a broader understanding of how to use style and design their lives. Towards this, I have also created a lecture called Parallel Universe ( http://www.rogov.com/Parallel_Universe.html) which demystifies the mystery of style. It explores a world where all styles coexist in parallel. I show that nothing really goes away, but carries forward year after year into the present. I give my audience five keys to help track the origins of design influences in architecture, furniture, products and fashion. From Modern through Goth, Medieval, Baroque to Ancient. Parallel Universe illustrates how it all is still evolving. And like music, it is all just a matter of preference. There is no latest or greatest; it’s all the latest if you have never heard or seen it before.
In 2010 I designed the Desk Architecture collection, with a view that elevates everyday objects to fine art and is focused on the social rituals and human interactions between people. Simple things like an ashtray, for example, is designed to last for generations and represent the social transactions occurring when people share a smoke — a ritual that has survived centuries. Instead of being disposable, these things will last for generations and pass on the karma.
In a nutshell, I teach art, culture and business and I speak through my creations — music and design. If I can continue to share that, I will have contributed something of value to mankind.
What is your favorite music decade? Why?
I heard recently that no matter who you are, if you were to pick up a guitar and strum it, you would settle into a groove that was popular in your high school years. The rhythm of “that” period tends to become our defining groove. Since every decade has its defining groove, for me, that would be the late 60‘s and early 70‘s. It shows, because I tend to know more songs from my high school days, than from any other period. However, there are some exotic new grooves that represent today, and good songs can work in any groove just as well. “New-Wave” from the 80‘s has now also become a genre, like heavy metal, country or classic rock. So, we can consider, “First World Calling” as an 80’s New-Wave Rap song. I would love to hear a current Rapper do it.
Any chance of an ARKITEX reunion?
That would be quite a nostalgic show. Particularly if it was the core lineup who performed at Heatwave: Statten Holly on guitar, Peter Goodale (Michael McKenna Band) on keyboards, Penty “Whitey” Glan (Alice Cooper Band) on drums and Ron Garant (Long John Baldry) on Bass.
Can we expect more music from Vladymir Rogov in the near future?
This is my calling. While I’m still breathing, I’ll be designing in sound and vision. I say, “never stop learning, the best is yet to come.” …ARKITEX lives!”
Discography:
Vladymir Rogov – “Bring on the Dancing Girls” / “All Around the World” – 1978, (Single)
Vladymir Rogov – “There’s a Woman in that Child” / “Time Boy” – 1979 (Single)
Vladymir Rogov – Love is a Killer – 1980 (Album on iTunes)
ARKITEX - “Throwing my Heart to the Wind” / “Call it Love” – 1981 (Single)
ARKITEX - 1981 (Album on iTunes)
ARKITEX – Delight, 1995 released 2011 (EP on iTunes)
ARKITEX – Glass Man 2011 (Album on iTunes, June)
Fast Fun Facts:
Vintage Vladymir Rogov – Love is a Killer and ARKITEX vinyls are selling on Ebay, and other places.
“No Tracks for This Train” from the first album Love is a Killer 1980 is on an extended list of Canadian train songs.
“Throwing my Heart to the Wind” is in the Museum of Canadian Music.
Did U know?! That’s Vladymir sporting his Russian Czar’s hat, on the cover of Rush album Moving Pictures (1981).
Long John Baldry covered “Love is a Killer” from Rogov’s first album.
New World, Australian band, (A Mickie Most production) recorded “Jolson” a Rogov composition.
“Man I sure love the looks of this.” Stevie Wonder, exclaimed as he placed his hands over Rogov’s award winning music synthesizer.
BOOK, The Fifties and Sixties, A Lifestyle Revolution by Miriam Akhtar & Steve Humphries. Features a cover photo of Vladymir, age 12.
Desk Architecture, the collection of desk and personal space objects, designed to last way beyond our lifetime. www.deskarchitecture.com
ROGOV’s Desk Architecture collection “stars” with Nicolas Cage and Nicole Kidman in Trespass, a new thriller by Joel Schumacher. (releasing 2012)
Design Lecture – Parallel Universe 2011. Trailer is here: http://www.rogov.com/Parallel_Universe.html
Look forward to ROGOV’s design collaborations — pens and other collectibles with ACME Studios, Hawaii.
80′s Music Rules ~ So Does Bobbi Style and the Access 2 Foundation
That sound you hear to the north is not the rumble of a summer afternoon thundershower. It’s not the roar of a fast-approaching tornado, nor a slow-moving, yet powerful hurricane. That whirlwind off in the distance is the sound of a dynamo going from the usual thousands of revolutions per second to about a million.
The dynamo has a name—Bobbi Style—and the source of his energy is Access 2.
I showcased this perpetual-motion musician last fall (check out the post here). The article discusses Bobbi’s dream of “Bob-friendly” disabled-accessible studios to accommodate all musicians comfortably, no matter their physical limitations. Since then, Bobbi has formed the Access 2 Foundation, sent out a call for help to a world-wide music community, and the responses have been overwhelming. He is closer to realizing a dream that will benefit countless of musicians who would otherwise be physically deterred from sharing their creativity.
Bobbi has asked people like me to get his vision out there, to see if there are folks who can help to make it happen. He has shared with me that to even get one studio up and running, along with all of the special considerations needed to make the equipment and the location itself handicapped-accessible, it costs a minimum of $30-60,000. But, being the driven and optimistic man that he is, he has not let that daunting proposition stop him.
Already, he has completed work on a studio in Vancouver, British Columbia. There are further negotiations in process for studios in California, Nevada, Florida, and several in his native UK. He needs assistance to make these visions a reality. All he is asking for is a donation of time, talent, or treasure, whatever you feel comfortable with, to make his dream come true.
Time – Volunteers are needed to promote, advertise, and help with setting up the studios.
Talent – Bobbi plans release a compilation CD of songs that musicians have donated for the cause sometime this August. All proceeds will go to fund the foundation. Bobbi himself is busy writing and recording for this project. He reports:
“There are currently 38 bands/artists committed to the CD Synthetic Frequencies (it’s an industrial/EBM album). We’re now looking for more mainstream and multiple-genre artists/bands.”
Treasure – Items needed include: music equipment and accessories, instruments, memorabilia that can be auctioned, studio space, and cash.
It’s even helpful to go to the Access 2 site on FaceBook, “Like” it and leave a comment. Bobbi appreciates any show of support for this important cause. Whatever you feel you can do, please contact Bobbi directly at bobbi.style@access2foundation.com.
Access 2 site on FB: http://www.facebook.com/Access2Foundation
Access 2 Website: http://www.access2foundation.com/
Be sure to familiarize yourself with this amazing artist.
“Like A Bullet” via YouTube user Bobbi Style:
The Secret Life Of Numanoids ~ Part Four
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The Secret Life of Numanoids series was on hold for several months while I took the time to get a handle on some personal issues. Now that things are somewhat back under control, I’m excited to resume an inside look at what makes Gary Numan fans tick. If you would like to be a part of this ongoing series, or know someone who would, please leave a comment here or message me on FaceBook: Sandy Numanfan Missparker.
Coincidentally, both of today’s highlighted Numanoids are from Scotland. Enjoy reading what fuels their lifelong love for Gary Numan.
Robert McNab – Scotland
Robert launches into his story by telling me that he has been a fan since the very beginning of Gary Numan’s career.
“I saw Gary on Top of the Pops singing ‘Cars’ and I had not heard anything like it. It was well ahead of its time.”
Like so many fellow Numanoids, Robert finds meaning in Numan’s music. “His music is very powerful. Things that have happened in my life I can relate to in Gary’s music.”
Robert had a much easier time nailing down one favorite album versus one favorite song. “My favorite album is The Pleasure Principle. My favorite song…..oh there are many! My personal fave would have to be ‘Cars,’ a simple but brilliant song. When ‘Are ‘Friends’ Electric?’ came out, at the start I did not like it. It took some time to get used to it, then it grew on me, and it was my very first record single purchased.”
When asked to share his most exciting moment as a Gary Numan fan to date, Robert shares, “My most exciting moment had to be my very first concert at Aberdeen in 1983. During the Warriors tour up until then, I had been just an ordinary Numan fan. Then I seen this gig, and it was amazing! I was totally blown away, and then became a big Numan fan.”
In describing his love for Numan, Robert says, “I would have to say he has been a big part of my life. When he quit music in 1981, I was gutted and never really followed anyone else as much as I did with Numan.
“The thoughts I would like to share: Gary Numan is a pioneer in synth music. There have been bad times in his career where many other artists would have packed in, but Numan is a fighter and has a strong fan base behind him.”
Indeed, he has.
Photo credit: Ed Fielding Photography
Gary Numan – “We Are Glass” – via YouTube user JoshuaLovesGB:
Gary Numan – “Cars (enhanced audio)” – via YouTube user compelx:
Sandy Bain – Scotland
Sandy claims being a Numanoid for the past 32 years, the whole of Gary Numan’s career. When asked what initially drew him to Gary Numan’s music, Sandy replies, “Seeing him for the first time on The Old Grey Whistle Test in 1979.”
That seems to be a common thread among Numanoids; the first time seeing the unusual yet endearing Gary Numan on TV was all it took to be a lifelong fan.
Sandy has no trouble expressing what Gary Numan’s music means to him. “His music is my life,” he states confidently.
Nailing down his favorite Gary Numan album and single posed no problems. For the album, Sandy says, “It would have to be Replicas which hooked me.” And song? “I have many favourites, but ‘Angel Wars’ would be mine.”
Sandy’s most exciting Gary Numan moment was meeting him for the first time in 2006. When I asked what his favorite way to express his love for Gary Numan is, he states firmly, “He is God.”
In closing, Sandy has this to say, “I have loved Gary for years, and his music has got me through many ups and downs in my life.”
That’s something that many of us can relate to.
Gary Numan – “Angel Wars” – via YouTube user webbfoxx:
Gary Numan – “Complex” – via YouTube user DrMorbeus:
The Secret Life of Numanoids ~ Part Five
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Karren Bailey – UK
I am very fortunate to know Karren on FaceBook. She has graciously agreed to share her history as a Numanoid. I am sure a lot of what Karren recalls will stimulate fond memories for many other fans. Enjoy the walk down memory lane!
Karren has this to say about her secret life as a Numanoid:
I have been a fan of Gary Numan since the very first time he appeared on “Top of The Pops” in 1979. I couldn’t believe what I was seeing or hearing. It was so different to anything I’d seen before. I was drawn to the way he was dressed, the expressions, the make-up, and the song was amazing, too—one of those unrepeatable moments in your life. Next day, the kids at school were talking about it, too. I reckon he’d surprised many a family in their front rooms that evening!
Numan’s music means everything to me. There is a Numan song for every mood, and I can’t imagine how it would have been without it!My fave Numan album changes ALL the time, from the early, right up to recent. In the early days, not having pocket money, I used to have to wait for my birthdays when my big brother used to buy them for me (always teasing that he went to another town to buy them incase he was recognised).
The Pleasure Principle and Telekon will always be special favourites, but I love Dance, Sacrifice and Pure, too.
It would be far easier to tell you the few Numan songs that I’m not keen on (“Bridge, What Bridge?”) GASP! than my favourites, but I do have a few that I go back to more often than others. “Are ‘Friends’ Electric?” will always be a BIG fave as I knew it would be that first time I heard it 31 years ago. I love all the versions he’s done of it since. “Aircrash Bureau” from the Telekon album always blows me away. It’s a modern day work of art. I especially love “The Seed of a Lie,” “Crash,” “My Breathing,” “Noise Noise,” “Here Am I,” “An Alien Cure,” “A Prayer for the Unborn,” “Voix,” “On Broadway,” “Magic,” and am currently smitten with “When the Sky Bleeds.”
An exciting Numan moment has to be when my big sister took me to see him live for the first time on the Warriors tour in 1983. The local radio station dropped him back at Victoria Halls in Hanley, after an interview, and the doors were locked, leaving him standing next to me on the step. I just stood there frozen. He didn’t look too impressed, himself. I’ve n
ever met up with/talked to Gary Numan and I don’t wait outside gigs to do this, as I’m scared it will spoil it. I keep him special.
I express my love for Gary Numan (much to my children’s distress) by dropping him into conversations as much as possible, wearing Gary Numan clothing and my “Gary Numan is God” badge. It’s amazing how many people have good and bad Numan memories to share. Even a driver delivering to my house shared that he was at the Wembley concert when he heard the music I was playing when I opened the door.
I can’t believe how many Numan friends I have found on Facebook, after being the “Only Numanoid in the Village” for years. I love hearing all their stories about naming their children after him and stuff, and how Gary Numan has been the soundtrack to their life too, despite much of the teasing that has always gone along with it.
“The Seed of a Lie” by Gary Numan via YouTube user defectedmodel:
“A Prayer for the Unborn” by Gary Numan via YouTube user leeleec79:
The Secret Life of Numanoids ~ Part Six
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CAZ’KIK’ASS ~ UK
I met Caz a while ago through mutual friends on YouTube and MySpace where there is a large network of Numanoids. I have really had the pleasure of getting to know her better since we met up again on FaceBook.
Caz epitomizes what it means to be a loyal Numanoid. From her, I have learned that it’s OK to not be in love with everything that Numan does. What does matter is respect for the human being behind the stage personna, along with undying loyalty.
When asked how long she’s been a fan, I was not surprised to learn Caz has been Numanoid for over 31 years.
Caz answers the question, “What drew you to Gary Numan?” with, “Seeing him perform Are ‘Friends’ Electric? on the Old Grey Whistle Test programme.”
One word suffices when asked, “What does Numan’s music mean to you?” Caz responds automatically and plainly, “Everything. It’s there for me in good times and bad.”
Me: Can you name a favorite album?
Caz: OMG!! I can’t answer that!
Me: What about favorite songs—what would they be?
Caz: “Blue Eyes,” “Every Day I Die”…need I go on?
Me: Tell me about your most exciting Gary Numan moment.
Caz: Meeting him at the Last Great Warbirds Airshow.
Caz cites her photography as a way to express her love for Gary Numan. I have also seen pictures where Caz dresses up in full make-up and clothing resembling Numan’s Dance album cover in order to host live a show featuring Zara Band who play Numan’s music. In fact, here’s a video of her in action:
When asked if she has any other thoughts to share, Caz says wistfully, “May the God live forever, and I’d like to meet him once again.”
Amen to that!
“Blue Eyes” by Gary Numan/Tubeway Army via YouTube user garycee:
“Every Day I Die” by Gary Numan/Tubeway Army via YouTube user PatrickIngham21:
The Secret Life of Numanoids ~ Part Seven
Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.
Mark Kemp ~ UK
For the seventh installment of the series, Mark took the challenge to share his story about being a Numanoid with gusto. His enthusiasm for Gary Numan is genuine and infectious, and needs no further introduction from me.
Mark writes:
Gary Numan; a name that has not been far from my mind since the age of 12. Like most fans, it started one Thursday night watching “Top of the Pops.” The sound, the image….mesmerizing. I bought the single (AFE) but couldn’t afford Replicas, so I had to borrow it and tape it. My “Grease Soundtrack” cassette sounded far better with Numan taped over it!! (Piss off Travolta).
I had discovered “real” music. My Saturdays from then on consisted of looking through music magazines for anything I could find relating to Gary. I sometimes spent my entire pocket money on a magazine that contained one small picture of Gary no bigger than about 4 centimeters square!
I never made it to his first tour, but managed to see him on the Teletour, which to a young lad was mind-blowing. I AM IN THE SAME ROOM AS GARY NUMAN !!!!!! Been on every tour since then, the exception being the Wembley “final” concerts. London might as well have been the moon for a lad from up north with little money. The “holy grail” of a front row seat at a Numan gig was a long time coming. It finally came on the “Metal Rhythm” tour.
I believed that I had grown up a bit when it came to being a Numan fan. I was wrong. I was in fucking awe of the man. He stood just a few feet away and I had never even dreamt of getting this close to my hero. I held my hand out to him and mouthed, 
“COME HERE.” He mouthed back to me, “NO YOU COME HERE” knowing full well that I couldn’t get up on the stage. He was teasing me! He waited about 10 minutes, then he bent over and shook my hand. Yep, that was GARY NUMAN shaking MY hand!! I quickly handed him a pen and my tour programme, which he signed; I even had time to take his picture signing it.
I have met Gary on 4 occasions, the best being at the first convention held in London where I had my picture taken with him. My Numan collection still grows: rare records, concert recordings, more pictures, thanks to the wonderful eBay. Favourite song? Still CARS. After all this time I have never got bored of it. Album? Again, The Pleasure Principle is an outstanding piece of work that still sounds relevant even today: “Noise Noise,” “The Machman,” “Every Day I Die,” “This Is My House,” “We Are So Fragile,” “I Die You Die,” “Complex,” “I Dream Of Wires,” “My Shadow In Vain,” “Tracks,” and “Cry The Clock Said.”
Amazing talent. I will always prefer Gary’s older material, but the new stuff is still good; just not as good.
“Noise Noise” by Gary Numan via YouTube user patrickingham21:
“My Shadow In Vain” by Gary Numan via YouTube user dashproductions:
The Secret Life of Numanoids ~ Part Eight
Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.
Nik Sylvian (FaceBook persona)
The 80s decade spawned a lifetime of brilliant music that has lived long into the 21st century. Some of the more tenacious artists have made it to the present, still creating vital and brilliant music. Of course, Gary Numan is one such lesson in creative survival, and he is in good company along with artists like Peter Murphy, Bryan Ferry, Simple Minds, David Bowie, and Japan, to name a few.
Speaking of Japan, Numanoid Nik Sylvian also happens to be a deeply committed fan of David Sylvian. Both Gary Numan and David Sylvian were non-conforming pioneers during the most exciting musical decade in modern history, so it stands to reason Nik would be drawn to both of them. Let’s take a closer look at Nik’s fascination with Numan.
Nik has been a fan of Gary Numan’s for the past 30 years. There was something about Numan’s music that caught Nik’s ear three decades ago. When asked specifically what that “something” was, Nik responds, “Gary Numan talking about the future and how it would be like.”
When you love an artist, it’s very difficult to nail down a favorite creation. When asked to name a favorite album, a fan will instinctively answer, “All of them.” Nik is straightforward with his response, however, stating that “Telekon” is his favorite Gary Numan album. He quickly adds, “Also, I Assassin.”
Similarly, Nik points to “Are ‘Friends’ Electric?” as his prefered Numan single, but again adds, “And also, I Assassin.” There may be a trend here!
Exciting Numan moments for Nik include seeing Gary perform on Top of the Pops and The Old Grey Whistle Test. He’s in good company with many other long-term Numanoids who hold those same precious visions close to their hearts. As a final thought on Gary Numan, Nik shares, “He’s simply the best.” I know there are many people out there that would agree.
“Are ‘Friends’ Electric?” by Gary Numan – via YouTube user dashproductions:
“I Assassin” by Gary Numan – via YouTube user GaryNumanAlbums:
The Secret Life of Numanoids ~ Part Nine
Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.
Stephen Numan (Scotland)
What better way to show your love and admiration for someone than to take their surname as your own? I have been privileged with meeting Stephen Numan, who kindly agreed to share his secret life as a Numanoid on Rave and Roll. His story is a fascinating one, so sit back and enjoy.
Stephen writes:
There is history behind this. My mom divorced our abusive father when I was around four or five. My surname then was McAllister. When she got her divorce, she reverted to her maiden name of Boyle. She remarried many years later, and as a courtesy to my step-dad, I took on his surname of Nobbs. I took his name because he was great for my mom, and loved her and all us kids so much. Sometime later, I realized I wanted to take on the surname of Numan. I will explain later.
I have been a fan since first seeing Gary on The Old Grey Whistle Test back, I think, in 1978. What drew me to him was the projected 
persona: alien-like, emotionless, staring grey eyes, the eyeliner and make-up, and the utter loneliness I heard in his voice and lyrics.
Gary Numan’s music means EVERYTHING to me. I was 12 or 13 when I first heard his music. As a depressed loner at that time, I was searching for a hero, a figure I could look up to and possibly relate to. I saw that figure in Numan. I heard in his music and lyrics all the alienation and rejection I had felt throughout my childhood.
Now then, my favorite album – tricky – I would have to say Telekon, with The Pleasure Principle a close second. My fave song – EASY – “A Prayer for the Unborn” – just because of the story it tells about Gary and Gemma’s loss.
My fave Numan moment – his first live gig in Glasgow back in the day – it was amazing to see my hero on stage. I was in tears and utterly hysterical – oh the freedom of youth!
I think it’s obvious now my fave way to express my love for him; I changed my surname by deed poll 6 years ago. When I stayed in South Africa for 25 years, I imported ALL of his albums, singles and 12-inch singles. I had so many, I used to place them upon my living room walls as homage to the great man. I came back for a holiday in 1984 to see him on The Berserker Tour – great gig – I returned to SA with the album and a few 12-inch singles. I then painted the cover of Berserker on my living room wall – 10 foot by 10 foot, draped it in blue curtains with blue lighting from below – it looked awesome!
I’m a diehard Numan fan; always have been, and always will be. Obviously, I don’t like every track, and yet I love his ballads. “Don’t Call My Name” is truly heart-wrenching.
I have never met him, which makes me sad, and yet, maybe it’s meant to be that way. “Idolize at a distance.”
Whenever I need inspiration, whenever I need to be lifted from depression, whenever I need reminding of all that is and was great in my life – I play Gary Numan. Whenever I buy a new car or mp3 player – I ALWAYS play Numan on it first.
“Sleep By Windows” by Gary Numan via YouTube user themachman19691:
“A Prayer For The Unborn” by Gary Numan via YouTube user TheTelekon:
“Dead Son Rising” CD by Gary Numan with Ade Fenton ~ A Review
Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.
“Dead Son Rising” CD by Gary Numan with Ade Fenton – released September 2011
(Photo credits: Ed Fielding Photography http://www.edfielding.co.uk/)
Long awaited, Dead Son Rising is a theme-driven collection of electronica only the way Gary Numan, along with Ade Fenton, can create. Pounding and wistful, demanding and longing, tender and brutal, it is a study in impossible contrasts that work together so seamlessly as to be other-worldly. Words can only inadequately describe the music on this brilliant CD. If you love electronica/dark wave/industrial/goth, this is a must-have addition to your collection.
Resurrection
The swell of the synthesizers backdropped with breathing sounds and static is a perfect indicator of what is to come on this epic CD. Something sinister yet magical is in the air, and we are about to be willingly drawn into its merciless grasp.
Big Noise Transmission
Static noise and a driving rhythm section catapult us into a staccato mind-puzzle fraught with urgent, whispered pleas. Fully Numan-esque and gripping, this industrial anthem is a rock-solid testament to a direction Numan has whole-heartedly embraced over the past sixteen years. He shows us he has this genre fully mastered and ready for our listening pleasure. The abrupt end leaves us aching for more.
Dead Sun Rising
Numan uses his signature vocals against a deeply satisfying electronic backdrop. There is no one on this planet that could pull off an electronic ballad as successfully as Gary Numan. It is the perfect melding of lyrics, vocals, and synthesizers that captures the soul and transports it to another dimension.
When the Sky Bleeds, He Will Come
Numan and company use everything but the kitchen sink to deliver this masterpiece. Left to the devices of mere mortals, this song would result in listening confusion; in Gary and Ade’s more than capable hands, it is an extraordinary testament to pushing music to its limits and successfully achieving perfection.
For the Rest Of My Life
Don’t let the title/lyrics fool you. This is no tender love song. It borders on an obsessiveness that is both scary yet oddly compelling. It is similar to approaching an accident scene on the highway, and not being able to avert your eyes. In fact, it makes the listener want to hit the “replay” button; not only to hear it again, but to validate the message.
Not the Love We Dream Of
The stark piano notes that open this song are gorgeous. Enter Gary Numan’s voice, and what we end up with is a slightly off-kilter and purposeful story woven of disappointment and sadness. Who can’t relate to the melancholic message delivered here? We have all made mistakes that have devastated us. Numan and company put context to those feelings so we can unleash the demons within.
The Fall
Gary advises us how to deal with being shattered, even telling us point blank that the world still goes on even if we cannot. This is a perfect song to play when things are falling apart in our lives, if only for the rhythm, which makes it impossible to sit still long enough to feel sorrow.
We Are the Lost
The powerful and driving drumbeat that opens this track and anchors it throughout is a welcome diversion from the keyboards that usually take the limelight. Coupled with a Middle Eastern flair that Numan has previously and successfully brought into his music, this song resonates down into the listener’s toes. The textures are rich and colorful, like an open market full of hand-woven cloth displays.
For The Rest Of My Life (Reprise)
Like a path winding its way through a dark forest, we are gently guided to a clearing where Gary awaits us to remind us of the lost love he introduced us to earlier in our journey.
Into Battle
This track is a cacophony of sounds that starts out somewhat reminiscent of wind chimes in a stormy summer garden. But don’t be lulled into submission. The seemingly harmless wind chimes morph into the cadence and timber of something destructive and sinister. Even if you are on your guard, you are not going to be ready for the abrupt end. Signifying eternity, perhaps?
Not the Love We Dream Of (Piano Version)
Again, we are treated to the stark piano notes winding through the introduction to this song. Slowed down and purposeful, almost funereal, we are reminded of mortality, mistakes, and failed missions. It is definitely a song of introspection, but with the change-up in tone and tempo midway through, Numan informs us musically that there is definitely light at the end of the tunnel.
Dead Sun Rising (Early Version)
This version feels like it is played at a slower speed. Numan’s vocals are the focus with the lush accompaniment of electronica there merely to support the master as he works his craft. It is a delightfully welcome version of the title track, and the perfect close to a perfect CD.
Well done, Gary. You are a perfectionist, and our lives are enriched because of it.
Visit Gary Numan’s website: http://www.numan.co.uk/
“The Fall” official full-length promotional video via YouTube user GaryNumanOfficial:
“The Fall” live by Gary Numan – via YouTube user GaryNumanOfficial:
The Secret Life of Numanoids ~ Part Ten
Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.
Matt Jessup (UK)
I have come to know Matt through FaceBook. He belongs to the legions of lifelong Gary Numan fans, discovering and falling hard for the unique look and sound Numan brought to the world at the very end of the 70s. Matt was kind enough to share his journey with us in his own words.
He writes:
I’ve followed Gary Numan since 1979. Unfortunately, I missed the Touring Principle tour, but was more than fortunate to see Teletour 80. I also consider myself one of the select few who actually witnessed the Wembley Farewell concert live. It was musical history in the making and I still can’t get over I was there. It was staggering!
I was drawn to Numan by his 1st appearance performing “Are ‘Friends’ Electric?” on Top Of The Pops. My jaw hit the floor and I made everyone shut up so I could hear it. At that time, there was too much agro going on with anarchy, punks and skinheads fighting and all the sh*t music it brought (some of which I quite like now, strangely). I hated it, and Numan was a breath of fresh air. And, with me being a keyboard player, after seeing the word JP4 on Telekon, I went down to the music shop and bought one. I never looked back.
My favorite albums will always be what I consider the “Fab 5:” Tubeway Army, Replicas, The Pleasure Principle, Telekon, and Dance. They are time machines for me. I can tell who, what, where, and when, and in some cases, can still smell her perfume. Perfect memories to perfect music. I also adore Sacrifice.
I have many, many favorite tracks: “Metal,” “Exhibition,” “Subway”…too many to list.
My most exciting moments include Dad saying “yes” to the request of £15 to go to Wembley (that included coach there and back), and finding out Gary was using the sounds I sent him for The Pleasure Principle 2009. Also, every concert I attended, it was exciting meeting up beforehand, when Gary was at the height of fame. Southampton was a sea of black and red, and I still have the red belt harness I wore to Wembley.
I can’t actually say “I love Gary Numan” because that would make me gay – ha! I always wished I looked like him, though – great eyes. I can express my love for him only one way, by declaring his sheer brilliance, which comes down to his lyrics and the way his voice fits the words. The sounds. As I said before, his lyrics can drop you to your knees and the synth lines just lift you right up. A classic example is Andy Gray’s mix of “Prayer for the Unborn.” It’s a fact that at Troxy last year, the intro and the way “Down In The Park” kicked in actually brought tears to my eyes. It was so massive. And in that instant, I was back watching him come out in that car on Teletour. Then, I was back in the room, and my son Josh, 21 looked at me nodding and said, “Oooh yeah…Numan’s still got it.”
I met Gary Numan in 1986. We chatted for 45 minutes. No illusions were shattered; “Numan” went offstage and I chatted to “Gary Webb,” if that makes sense. Now, I would dearly love for my 2 sons to meet Gary and shake the hand of the man who has shaped 30 years of my life. They are really up for that.
The Numan experience taught me song writing and sound creation. They were great years that brought great friends, and the most loyal fan base I’ve ever known.
Machinery Strange Dreams by Matt Jessup via YouTube user DarkAngelOne:
Me, I Disconnect From You (Gary Numan) cover by Matt Jessup via YouTube user emjay946:
Are ‘Friends’ Electric? (Gary Numan)piano cover by Matt Jessup via YouTube user emjay946:
Ghost by Matt Jessup via YouTube user DarkAngelOne:
80’s Music Rules ~ More from Retrospect CFRC-FM ~ 1-24-12
We missed our Ed-Fm, as he was unceremoniously preempted last week. Did he make it up to us? You betcha. Take a look
at the playlist, and you’ll see it for yourself. And next week, do yourself a huge favor and listen for yourself.
You will not regret it.
Tune in to Ed and his “now you see me, now you don’t” 80’s Retrospect show on CFRC-FM from 8 pm until 10 pm on Tuesday nights. Ed takes requests by phone: (613) 533-CFRC (2372) or email: retrospectcfrc at yahoo dot ca. Indulge yourself in some “80’s Music that doesn’t suck.” I guarantee die-hard 80’s New Wave/post-punk fans will not be disappointed.
CFRC-FM Playlist January 24, 2012
Basement of Carruthers Hall in Queens University, Kingston, Ontario
ED-FM ~ Retrospect
80’s Music That Doesn’t Suck
If the “Listen Live” link on the CFRC Website doesn’t work, copy and paste this URL into your Windows Media Player: http://sunsite.queensu.ca:8000/
Join us in the Chat Room during the show – either click the link on the right menu under the Rave and Roll graphic, or here.
To listen to any shows that you may have missed, go to the CFRC website and look up the archives under the “Programming” drop-down menu. You can enjoy Ed’s previous shows in one-hour increments.
Nash The Slash – Who Do You Dub
B-Movie – Nowhere Girl
The The – Gravitate To Me
Mission UK – Tower Of Strength
Men Without Hats – Living In China
Breeding Ground – Wintergarden
Spandau Ballet – To Cut A Long Story Short
Gary Numan – This Wreckage
Pukka Orchestra – Cherry Beach Express
Rational Youth – Cite Phosphore (Razormaid mix)
Simple minds – Book Of Brilliant Things
Peter Murphy – Canvas Beauty
Hawaiian Pups – Baby Judy
Psyche – Make No Mistake
Sex Pistols – Friggin’ In The Riggin’
Box – Walk Away
Dominatrix – The Dominatrix Sleeps Tonight
Pushkins – The Walk Home
Endgames – First, Last, For Everything (Club version)
Fad Gadget – Swallow It
Marsbar Playlist ~ 1-22-2012
January 22, 2012
David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight.
There’s nothing like hanging out in the Marsden Theatre on Sunday nights. The music has an atmospheric tinge to it, slightly different than the celebratory aura that Saturday night brings. If you haven’t already, check it out with us next weekend to see how your week should both end and begin.
Many thanks to JerusalemSlim for his help filling in the blanks between 10 pm and midnight.
Albert Collins & B.B. King – Stormy Monday
Big Supreme – Don’t Walk
Bonzo Dog Doo Dah Band – Jollity Farm
Brendan Canning – Love Is New
Bryan Ferry – Let’s Stick Together
Buggles – I Am A Camera
Colin James – Why’d You Lie
Colourbox – Just Give ‘Em Whiskey
Darkroom – San Paku
David Krystal – Wake Me When It’s Over
Dee Long – Good Night Universe
Dr. John & The Lower 911 – Keep On Goin’
Elbow – The Fix
Elton John/Leon Russell – In The Hands Of Angels
Eric Clapton – After Midnight
Etta James – I’ll Be Seeing You
Fine Young Cannibals – She Drives Me Crazy
Fingerprintz – Wet Job
Frontline Assembly – Dead Of Winter
Gary Moore – Still Got The Blues
Gentlman Reg – We’re In A Thunderstorm
Johnny Otis – Willy & The Hand Jive
Jona Lewie – Louise (We Get It Right)
Killing Joke – Requiem
Kinks – Lost & Found
Long John Baldry – Flying
Matthew Barber – Easy To Fall
Mike Batt – Ride To Agadir
Moody Blues – Melancholy Man
Nazareth – Love Hurts
Northern Lights (Canadian All Stars) – Tears Are Not Enough
Orchestral Manoeuvres In The Dark – If You Leave
Pink Floyd – Another Break In The Wall (Part II)
Pink Floyd – The Great Gig In The Sky
Pretty Lights feat. DJ DX – Finally Moving
Pukka Orchestra – A Wonderful Time To Be Young
Richard Wright – Confusion
Rough Trade – All Touch
Scissor Sisters – Return To Oz
Simple Minds – Rockets
Sisters Of Mercy – Temple Of Love (1992)
Slave To The SQUAREwave – Big Change
Spiral Beach – Midnight
Spirit – Fresh Garbage
Spoons – B Movie
Steve Hackett – Star Of Sirius
Steve Hillage – Radio
Unheilig – An Deiner Seite
Vanity Project – Wilted Rose
Violent Kin – Velvet Hideout
Wintersleep – Experience The Jewel
XTC – Life Begins At The Hop
For previous David Marsden lists starting from 2003, visit RalphD’s blog “Marsbar Theater.” Ralph is the creator and original caretaker of the lists.
Marsbar Playlist ~ 1-21-2012
January 21, 2012
David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight.
The night has flown by as David played one incredible song after another. When He’s on a roll, David’s shows comprise the fastest part of the weekend. It’s always that way…anything we enjoy so much is here and gone in the blink of an eye.
This is the list from 7 pm until 10 pm. If anyone can help with the balance of the list, it would be greatly appreciated.
Alabama 3 – Sad-Eyed Lady Of The Lowlife
Beatles feat. ? – Get Back (Mash-Up)
Big Audio Dynamite – E=MC2
Blue Peter – Don’t Walk Past
Braids – Bohemian Rhapsody
Breeding Ground – Happy Now I Know
Carole Pope – Did I Mention
Cure – Lullaby
Dee Long – Wicked
Fall Out Boy – Thnks Fr Th Mmrs
Fiat Lux – Blue Emotion
Frank Zappa – Cheap Thrills
Fred Schneider – Monster
Freedom Or Death – Inside
Front 242 – Masterhit
Godley & Creme – An Englishman In New York
Hunter Valentine – She Only Loves Me When She’s Wasted
Iggy Pop – Real Wild Child (Wild One)
INXS – Original Sin
Klaatu – Sub-Rosa Subway
Leonard Cohen – Democracy
Lou Reed – Intro (Sweet Jane)
My Morning Jacket – Touch Me I’m Going To Scream Part II
Pete Wylie – Sinful
Psychedelic Furs – Ghost In You
Rammstein – Du Hast
Roger Waters – Radio Waves
Secret Service – Flash In The Night
Sigue Sigue Sputnik – Bullet With Butterfly Wings
Slave To The SQUAREwave – Boy Vs. Girl
Spoons – Nova Heart
Stranglers – No Mercy
For previous David Marsden lists starting from 2003, visit RalphD’s blog “Marsbar Theater.” Ralph is the creator and original caretaker of the lists.
Marsbar Playlist ~ 1-15-2012
January 15, 2012
David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight.
It was an eclectic night in the theatre tonight, but that’s the nature of Sundays. It’s fun, exciting, and keeps the listeners on their toes. Thebest part of all, there’s something for everyone, guaranteed. What more can we hope for?
Thanks to JerusalemSlim for graciously providing the play list from 10 pm until midnight.
Amy Winehouse – Our Day Will Come
Be Bop Deluxe – Modern Music
Be Bop Deluxe – Dancing In The Moonlight (All Alone)
Be Bop Deluxe – Honeymoon On Mars
Be Bop Deluxe – Lost In The Neon World
Be Bop Deluxe – Dance Of The Uncle Sam Humanoids
Be Bop Deluxe – Modern Music (Reprise)
Blackmore’s Night – Rainbow Eyes
Blue Rodeo – Waiting For The World
Bob Dylan – Lay Lady Lay
Bolus – Steps Under Shelter
Box – Closer Together (12″ mix)
Bronski Beat – Smalltown Boy (1994 release)
Bruce Cockburn – The Coldest Night Of The Year
Bryan Ferry – I Put A Spell On You
Chalk Circle – April Fool
Counting Crows – If I Could Give All My Love (Richard Manuel Is Dead)
Danny Brooks & The Rockin’ Revelators (feat. Garth Hudson) – Forbidden Fruit
Dee Long – Good Night Universe
Deftones – Drive
FLA – Fragmented
Freedon Or Death – Inside
Gary Moore – That’s Why I Play The Blues
Genesis – The Carpet Crawlers (1999)
Jimi Hendrix – Burning Of The Midnight Lamp
Joe Satriani – I Believe
John Martyn – I’d Rather Be The Devil (Devil Got My Woman)
Jools Holland and his Rhythm & Blues Orchestra – Wish I Knew How It Felt To Be Free
Kinks – A Rock ‘N’ Roll Fantasy
Lambchop – Up With People
Love & Rockets – Haunted When The Minutes Drag
Mark Knopfler – Wanderlust
Nails – 88 Lines About 44 Women
Neil – Hole In My Shoe
Nick Lowe – Cruel To Be Kind
Orchestral Manoeuvres In The Dark – Maid Of Orleans
Pansy Division – Cowboys Are Frequently Secretly Fond Of Each Other
Perth County Conspiracy – Keeper Of The Keys
Pink Floyd – Pigs (Three Different Ones)
Perth County Conspiracy – The Americanadian Way (Intro to Truth & Fantasy)
Rick Wakeman – Anne Boleyn (including “The day thou gavest Lord hath ended”)
Robbie Robertson – Madame X
Scissor Sisters – Mary
Simple Minds – New Gold Dream (81-82-83-84)
Snowy White – ??? (instrumental)
Spoons – B Movie
Stranglers – Skin Deep
Terry Draper – If I Could Change The World
Third World – Try Jah Love
Thunderclap Newman – Something In The Air
Tom Robinson – War Baby
Violent Kin – Honesty
Zwol – Southern Part Of France
For previous David Marsden lists starting from 2003, visit RalphD’s blog “Marsbar Theater.” Ralph is the creator and original caretaker of the lists.
Marsbar Playlist ~ 1-14-2012
January 14, 2012
David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight.
There may be snow on the ground where you live–and it’s certainly “unseasonably cold” in SoFla tonight–but David played us songs to get the blood pumping and to warm our souls. When the scientists talk about global warming, they need look no further than Oshawa, ON. That’s where it’s generating from!
Many thanks to Jeff Doan for filling in some of the blanks between 10 pm and midnight.
999 – Homicide
69 Eyes – Betty Blue
Animotion – Obsession
Aztec Camera – Walk Out To Winter
Blue Peter – Shell Shocked
B-Movie – Nowhere Girl
Boomtown Rats – Up All Night
Breeding Ground – Reunion
Brian Eno – Baby’s On Fire
Chris Spedding – Guitar Jamboree
Dee Long – Dogstar
Eight Seconds – Kiss You When It’s Dangerous
Ellie Lawson – Down With You
Eric Clapton – After Midnight
Everlast – Folsom Prison Blues
FM – Dream Girl
Frank Zappa – Don’t Eat The Yellow Snow
Front 242 – Agressiva
Gazebo – Masterpiece
Haircut 100 – Love Plus One
Iggy Pop – Play It Safe
INXS – Devil Inside
Japan – Life In Tokyo
Jerry Lee Lewis – Honky Tonk Rock ‘N Roll Piano Man
Jesus & Mary Chain – Head On
Joel Plaskett Emergency – Rewind Rewind Rewind
Madness – Our House
Moby & Tones On Tail – Go (Mash-up)
Moev – Open Mind
Moody Blues – The Other Side Of Life
Perry Farrell’s Satellite Party – The Solutionists
Pretty Lights feat. DJ DX – Finally Moving
Pukka Orchestra – Might As Well Be On Mars
Raised By Swans – Violet Light
Rammstein – Engel
Roger Waters – The Tide Is Turning
Shriekback – All Lined Up
Slave To The SQUAREwave – London Baby
Spoons – Old Emotions
Stan Ridgway – Camouflage
Telepopmusik – Breathe
Tin Star Orphans – Wear a Frown
Violent Kin – Velvet Hideout
Vital Sines – Collage
Wall Of Voodoo – Ring Of Fire
XTC – Making Plans For Nigel
For previous David Marsden lists starting from 2003, visit RalphD’s blog “Marsbar Theater.” Ralph is the creator and original caretaker of the lists.
80’s Music Rules ~ More from Retrospect CFRC-FM ~ 1-10-12
The calendar says it’s winter, but I don’t think Mother Nature is completely on board. It has been mild all over the
North American continent, from Canada, all the way down here in SoFla. Ed-FM added to unseasonable heat with some
hot obscure 80′s tunes. If he doesn’t watch out, he may just single-handedly melt the polar icecaps.
Tune in to Ed and his “I think I hear something dripping” 80’s Retrospect show on CFRC-FM from 8 pm until 10 pm on Tuesday nights. Ed takes requests by phone: (613) 533-CFRC (2372) or email: retrospectcfrc at yahoo dot ca. Indulge yourself in some “80’s Music that doesn’t suck.” I guarantee die-hard 80’s New Wave/post-punk fans will not be disappointed.
CFRC-FM Playlist January 10, 2012
Basement of Carruthers Hall in Queens University, Kingston, Ontario
ED-FM ~ Retrospect
80’s Music That Doesn’t Suck
If the “Listen Live” link on the CFRC Website doesn’t work, copy and paste this URL into your Windows Media Player: http://sunsite.queensu.ca:8000/
Join us in the Chat Room during the show – either click the link on the right menu under the Rave and Roll graphic, or here.
To listen to any shows that you may have missed, go to the CFRC website and look up the archives under the “Programming” drop-down menu. You can enjoy Ed’s previous shows in one-hour increments.
National Velvet – Flesh Under Skin
Chameleons – Up The Down Escalator
Nina Hagen – African Reggae
Data Bank A – Etiquette Of Travel
Maurice & The Cliches – Soft Core
Chalk Circle – This Mourning (extended)
Flash & The Pan – Midnight Man
Arkitex – Throwing My Heart To The Wind
Simple Minds – Changeling (John Peel Sessions)
Tears For Fears – Pale Shelter (extended)
Strange Advance – Love Games
Stranglers – No Mercy
Spoons – Symmetry
Colourfield – My Wild Flame
Slow Children – Spring In Fialta
Silencers – Painted Moon
Manufacture – The End Draws Near (12 inch)
Art Of Noise – Legs (inside leg mix)
Eva Everything – Piece Of Cake
Marsbar Playlist ~ 1-8-2012
January 8, 2012
David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight.
Tonight was very, very difficult. David created a fantastic and heartfelt tribute to SistahMar (Marilyn Hamilton), recalling how they first met, and how Marilyn was instrumental in creating the chatroom that brought so many lovely people together. The common thread was folks who shared a love for David and his music, and who found lasting friendship with each other.
Sincerest thanks to JerusalemSlim for filling in the last two hours.
Blackmore’s Night – I Still Remember
Boo Radleys – Lazarus
Boomtown Rats – Joey’s On The Street Again
Boys Brigade – Melody
City Boy – The Violin
Concrete Blonde – Everybody Knows
Cottage Industry – Point On The Hill
Danny Marks – Big Town Boy
David Bowie – Drive In Saturday
David Gray – Sail Away
David Marsden – Spoken Tribute To SistahMar
Dee Long – Good Night Universe
Deep Purple – Help!
Deftones – Drive
Deserters – Alien
DJ Champion – No Heaven
Domenic Troiano – Eleanora Fagan
Dr. Draw – Danny Boy
Dr. Hook & The Medicine Show – The Cover Of The Rolling Stone
Ellie Goulding – Your Song
Elton John – Someone Saved My Life Tonight
Fine Young Cannibals – Ever Fallen In Love
Fixx – Red Skies At Night
Freedom Or Death – Nobody Listens
Garfield – Private Affair
Ghostwriters – Ready Steady Go
Hunter Valentine – Van City
Isley Brothers – Caravan Of Love
Jackie Shane – Any Other Way
Joel Plaskett Emergency – Fashionable People
Joy Division – Love Will Tear Us Apart
Kinks – Misfits
Ladysmith Black Mambazo (feat. China Black) – Swing Low, Sweet Chariot
Leon Russell – A Song For You
Leonard Cohen – Dance Me To The End Of Love
Lighthouse – 1849
Marianne Faithfull – Vagabond Ways
Mink Deville – Across The Borderline
My Morning Jacket – Touch Me I’m Going To Scream (Part II)
Pete Yorn – On Your Side
Pink Floyd – Shine On You Crazy Diamond (Parts VI – IX)
Rita Marley – One Draw
Robbie Robertson – Fallen Angel
Roger Waters – Sunset Strip
Shawn Phillips – Woman Of The Land
Simple Minds – Let There Be Love
Slave To The SQUAREwave – Sinners Of Saint Avenue
Steve Harley & Cockney Rebel – Here Comes The Sun
Stevie Ray Vaughn and Double Trouble – Riviera Paradise
Strawbs – Tears And Pavan Medley
T. Rex – Children Of The Revolution
TBA – Love Across The Nation
For previous David Marsden lists starting from 2003, visit RalphD’s blog “Marsbar Theater.” Ralph is the creator and original caretaker of the lists.
Marsbar Playlist ~ 1-7-2012
January 7, 2012
David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight.
David eased our distressed hearts and souls with a set of free-form music like no one else can create. Be sure to listen in tomorrow night during the 9pm hour as he celebrates Sistahmar’s life and legacy.
If anyone can help with the list this evening from 10 pm until midnight, please let me know.
Arkitex – First World Calling
Blue October – For The Love
Breathe – Moist
Champion Heartache – Things I Left Behind
Cliks – Dirty King
Comsat Angels – Independence Day
Concrete Blonde – Mexican Moon
Cure – The Walk
Cut Copy – Future
Darkroom – A Test Of Time
Depeche Mode – Black Celebration
Divine – Walk Like A Man
Fiat Lux – Blue Emotion
Front 242 – Masterhit
Martha & The Muffins – Black Stattions / White Stations
Midnight Oil – Beds Are Burning
Moist – Picture Elvis
Rammstein – Engel
Rock & Hyde – Dirty Water
Simple Minds – Don’t You (Forget About Me)
Slave To The SQUAREwave – Healing Hands
Strange Advance – Kiss In The Dark
Tubes – What Do You Want From Life?
Type O Negative – Cinnamon Girl
Violent Kin – Keep Your Balance
Yello – The Race
For previous David Marsden lists starting from 2003, visit RalphD’s blog “Marsbar Theater.” Ralph is the creator and original caretaker of the lists.
80’s Music Rules ~ More from Retrospect CFRC-FM ~ 1-3-12
Still reeling from losing one of the best friends a person could ever wish for, I wasn’t sure about tuning in tonight. But Ed-FM washed away any doubt, and for two hours, the music made me whole again. Thank you Ed for all you do. The world is definitely a sadder place with Sistahmar’s passing, but you have brought some of the light back in with your warmth and your signature obscure 80′s music. Goodnight, sweet Sistahmar.
Tune in to Ed and his “there is light at the end of the tunnel” 80’s Retrospect show on CFRC-FM from 8 pm until 10 pm on Tuesday nights. Ed takes requests by phone: (613) 533-CFRC (2372) or email: retrospectcfrc at yahoo dot ca. Indulge yourself in some “80’s Music that doesn’t suck.” I guarantee die-hard 80’s New Wave/post-punk fans will not be disappointed.
CFRC-FM Playlist January 3, 2012
Basement of Carruthers Hall in Queens University, Kingston, Ontario
ED-FM ~ Retrospect
80’s Music That Doesn’t Suck
If the “Listen Live” link on the CFRC Website doesn’t work, copy and paste this URL into your Windows Media Player: http://sunsite.queensu.ca:8000/
Join us in the Chat Room during the show – either click the link on the right menu under the Rave and Roll graphic, or here.
To listen to any shows that you may have missed, go to the CFRC website and look up the archives under the “Programming” drop-down menu. You can enjoy Ed’s previous shows in one-hour increments.
Eurogliders – Heaven (Must Be There)
Spoons – Nova Heart
Clash – Bankrobber
English Beat – What’s Your Best Thing?
Simple Minds – Here Comes The Fool
Martha & The Muffins – Several Styles Of Blonde Girls Dancing
Men Without Hats – Mother’s Opinion
Psyche – Screamin’ Machine
Alexei Sayle – Didn’t You Kill My Brother?
Abecedarians – Smiling Monarchs
Indians In Moscow – Jack Pelter & His Sex Change Chicken
Crown of Thorns – World Radio
China Crisis – Working With Fire & Steel (extended)
Blue Peter – Don’t Walk Past (F version)
Mike Oldfield – Family Man
Extras – Circular Impression
Gary Numan – Jo The Waiter
Monty Python – Always Look On The Bright Side Of Life
Kissing The Pink – The Last Film (Hymn version)
Yello – Of Course I’m Lying (The Truth Is)
Altered Images – Happy Birthday
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