80s Music Rules ~ Criminally Underrated Artists/ Bands ~ Rob Stuart is Back with Electronic Dream Factory (EDF)

Excellent music never dies; sometimes it just goes away for a while. And, like a treasured loved one, its return evokes strong emotions of joy, relief, and a reconnection with the universe. That’s what’s happening here, folks. And, I am delighted to be the bearer of the fantastic news.

Rob Stuart first graced Rave and Roll’s pages exclusively as a featured artist back in November 2009. Earlier that year, I had published an article about his Toronto-based band SLAVE to the SQUAREwave, followed by a review of their then-latest smashing release, The Money Shot. Earlier this year (Feb. 2014, to be exact), I was privileged to announce Slave’s return with a jaw-dropping, in-your-face collection of tunes called Asphalt, Sex & Rock ‘N’ Roll. Now, I am thrilled to deliver the trifecta: Rob Stuart’s long-awaited re-emergence featuring an entire catalog of synthesizer-driven musical goodness from his band, Electronic Dream Factory (E.D.F).

Rob agreed to be interviewed so that I can share with you all a little bit about the beginnings of E.D.F., its evolution, the inspiration for the music, and the reason for the decision to re-release the catalog.

When did E.D.F. make its debut in the world?

EDF studios circa 1983

EDF studios circa 1983

Originally E.D.F was and still is the name of my home recording studio. I stole the name from a small British synthesizer company called Electronic Dream Plant which built a very cool monophonic synthesizer called “The Wasp.” My earliest recollection of my first home studio was back in 1981. I decided very early on in my “music career” that rather than pay other people to record in their studios, that I would just build my own and teach myself how to record, engineer and mix.

I was only sixteen back then and gear was incredibly expensive, so my first studio was nothing fancy. I would work three summer jobs to save up enough money to buy studio gear. I still remember purchasing the first real synth I ever owned, a Korg MS-20 for $595.00 at Steve’s Music Store in Toronto. I was so proud walking home with that synth tucked under my arm that day. It was once I started writing original music when I decided Electronic Dream Factory would also serve as a good band name.

Who were the original band members?

Greg Fraser, Rob Stuart, Rob Tennant (1992)

Greg Fraser, Rob Stuart, Rob Tennant (1992)

There have been many incarnations of the “band”version of E.D.F. Version 1.0 is me alone as a solo artist . Long time friend/musician/ artist, Greg Fraser was the first person to become an official member. Our first full-length self-titled album was just Greg and myself. Version 2.0 included Rob Tennant, who was the live drummer.

We soon added Maxx on guitar. Version 3.0 included Emerich Donath on stick bass and Rude Van Steenes on electronic percussion and vocals. I knew Rude back from the Vis-A-Vis days as I was an original member of that band .

EDF Version 3.0

EDF Version 3.0

Why synthesizers and electronica vs. guitars and…?

I’ve always been a synthesizer nut. Ever since I first heard early synth-based music like Tangerine Dream, Kraftwerk, Pink Floyd, Jean Michel Jarre, Vangelis, Throbbing Gristle, David Bowie, Brian Eno, Gary Numan, John Foxx, and early Human League, I knew I wanted to get into synthesizers.

First of all, they looked so cool and they could make sounds that you’d never heard before. That was really the appeal to me. I would spend hours messing around with my MS-20, plugging in cables, twiddling all the knobs, to come up with unique and different sounds. I’ve never been a person who is comfortable jamming in a rehearsal studio or in a band situation, which is why I don’t really consider myself a musician. I still don’t play that well, but writing, recording, and producing came fairly naturally to me. Writing music always was and still is a personal journey for me, so when MIDI came along it allowed me to create all parts of the music by myself, which I thrived on.

Having said that, I’ve always been a guitar fan, so when I couldn’t fake a guitar part by myself or find the right guitar sample I’d have to bring in a guitar player. Of course nothing can replace the thundering sound and look of a live guitar player on stage. That’s where Maxx came in. He was a cool-looking dude with a great head of hair and a killer guitar sound which added to the live element and gave the studio recordings a little extra grit.

Was E.D.F. mainly a studio band, stage band, or both?

I’ve always been a studio guy, but you have no choice but to play live if you want to promote your product seriously. It’s a great feeling playing your own music live with 3 or 4 other people on stage with the lights, smoke, and (hopefully) crowds of people in the audience grooving to your tunes; however, I also derive immense pleasure spending hours in my studio just writing or playing music by myself.

That’s were the “other” side of E.D.F comes from, as I also record and release ambient, chill out, new age music which I never intend to play live. Our finest moment was playing at Pine Knob in Detroit, Michigan in front of 10, 000 people for a big end-of-summer music festival.

What or who inspired the music?

The “who” is endless. See all the bands named earlier. Inspiration can come from anything, really. It could be a unique industrial sample, synth patch, drum and bass groove or simply a nice chord progression. It’s piecing all of those elements together that makes it fun and challenging.

Did E.D.F. originally get the airplay it deserved, and if so, by whom?

The first E.D.F release was actually a cassette-only; but, believe it or not, we used to get airplay on the radio. CFNY 102.1 in Toronto was the first station to play our music. That station was a huge supporter of local independent music, led of course by the one and only David Marsden who still plays my music to this day on his new station http://www.nythespirit.com. With open-minded people like David and the good folk at CFNY, the song “So, What of Tomorrow” ended up being a winner on a CFNY talent search contest and was released on a compilation CD, which to us at the time was unbelievable.

Other places that would play our music would be University radio stations like CIUT (University of Toronto), CKMS-FM in Waterloo, and CKLN (Ryerson University) who were always great supporters of ours. Local DJs like Ronno Box and Craig Beesack would play us at clubs like Catch 22 and local promoter Billy X was also an early supporter of E.D.F

What’s it like to translate a concept in your head into music that you share with the rest of the world?

It’s fun at first, but it can quickly become frustrating when the business aspect kicks in. I won’t even talk about the music business these days as no one has a clue what’s going on; but back in the early 90s there were still labels you could shop your product around to. For our first album we had some interest from TVT Records which had just signed Nine Inch Nails. For the second album, “Drama Dream” we signed a deal with a label in Montreal, which went bad. For the album “Number 3″ I had a distribution deal with Toronto’s The Record Peddler. Financially that was probably the most success I had with an EDF album as they managed to get distribution deals in quite a few different territories worldwide.

What made you decide to resurrect EDF?

One word: “Tunecore.”

Tunecore is a great service that distributes your music around the world to digital music stores and streaming stations. It’s really cheap and allows you to keep 100% of the earnings. They really do get the music out all over the world! E.D.F had a pretty strong following in its heyday, especially in Europe.

As I mentioned above, the album “Number 3″ was released and distributed internationally by The Record Peddler. I used to get royalty cheques from airplay I received from places like Germany, Belgium, Sweden, Norway and many other countries. Over the past few years I decided to post some old E.D.F videos on YouTube and found that people were actually looking for the old releases. It seemed like a perfect opportunity to re-master and re-release the whole collection in a new package.

Hence “Industrial Catalogue:” All four E.D.F albums in one, 64 songs in total, reasonably priced at $8.99. I did the same with my ambient/chillout/down-tempo E.D.F music, as well. Four albums in one package under the title ˜Noise Control” with 60 Songs in total.

Are there plans for live shows, and if so, where?

At this point, definitely not. SLAVE to the SQUAREwave takes up all of my spare time with live performances and recording. The last time E.D.F played live was at a rave in the middle of a farmer’s field in Oakville, a suburb of Toronto. This was actually where I met Colin Troy from S2TSW, as we were both playing at the rave that night. I was performing my more “techno” E.D.F material while Colin was doing his Smokin’ Jehovah project, which was a mix of middle eastern music and house. Really cool stuff. We chatted through the night about our love for Bowie, Roxy Music, and electronic dance music. We became instant friends and SLAVE to the SQUAREwave was born.

Do you have any examples of E.D.F. music online that people can preview?

Here’s some of my ambient/chill-out music taken from “Noise Control”:

Will the entire catalog be available for purchase? Where?

“Industrial Catalogue” is available via Amazonmp3.

Picture-#-4.-EDF-Industrial

 

 

 

 

 

“Noise Control (Vols 1 to 4)” is available via Amazonmp3.

Picture-#-5.-EDF-Noise-Cont

 

 

 

 

 

Both albums are also on Spotify, Rdio, Shazam, iTunes, Google play, Wimp, Deezer, beats music and many, many more on-line stores.

Can folks buy single tracks?

Yup! Single tracks are the standard 99 cents.

Will this inspire you to go back into the studio and create new E.D.F. tracks?

E.D.F has never really stopped. It’s just come in many different shapes and forms over the past 32 years and will continue to evolve. I’m getting more and more into the chill-out/ambient stuff as I get older, so you can most likely expect some more music in that vein.

What’s next?

I’m considering releasing some music by a duo group I was in back in the mid 80s called “silent GREEN.” It was an ambient project where the music was ad-libbed and recorded live. I played synthesizer while Bruce Bentley played “ambient” guitar. Bruce and I also had a synthpop band called “Ear Candy,” which was another CFNY-supported band. Tragically, Bruce passed away last year, so I’m thinking of releasing it in his memory. Some of that music is pretty magical.

Thanks so much!

Thanks for your support. I love what you do. You don’t know how important things like this are to a band/artist. You’re really doing a great thing here and it is most appreciated. XOXO

80s Music (and sometimes 10s) Rules—Slave To The SQUAREwave Returns!

ASRR---CARAfter a long hiatus full of whispered rumors hinting at disbanding, retirement, everything Slave to the SQUAREwave fans absolutely did NOT want to hear, something very exciting has happened—a new album release and a hot party at the Hard Rock in Toronto on February 28, 2014 hosted by David Marsden. That sound you hear is the collective thud of gob-smacked jaws hitting the floor—hallelujah and praise the music gods!

The album—Asphalt, Sex and Rock ‘n’Roll—where to start? These Slave-starved ears were ecstatic with the long-awaited product of a flawless, long-standing, and highly successful collaboration between Rob Stuart and Colin Troy. If ever a duo were destined to create beautiful music together, this is it, folks. The result of long hours in the studio is a perfect, fun-filled collection of music that will both kick your ass and caress your soul.

What should you expect? Here’s my humble attempt to describe the pleasure trip this album delivers to its listeners. Strap yourself in, slide your headset on, and prepare to rumble—this is way better than the best road trip you’ve ever had in the mightiest muscle car.

If asked to describe the opening track Middle Finger in one word, “funkalicious” is the closest adjective that does it any justice.  It’s a combination of Max Headroom (without the stutter) meets the Funkateers that is the perfect warm-up for what’s in store along this welcome journey. Alive and Electric (Dedicated to Jodi) presents swelling synths and superb harmonies; it’s a truly pleasing blend of keys and strings that picks up speed and takes on a life of its own.S2TSW-Poster-01

Next up is Texan Thugs and Rock ‘n’ Roll, a play on words rife with fast cars, a thrumming beat, and tough-guy lyrics. Who could ask for anything more? Then, wafting through the headset is a slightly off-kilter intro to The Big South that lures the listener into a poetic bop-fest of beat-driven goodness.

Not for the faint of heart, Zombie charges off the starting line in a sheer frenzy. Anyone who can sit still while listening to the exceptional synths and snarling vocals of this party-in-your-ear track needs to check for a pulse because they just may well be a zombie. Then, when you think you have a handle on what’s feeding into your brain, the Dr. Who-esque intro of Poor Man’s Fight draws you smack-dab into the middle of the fray, while trippy, fun lyrics bind you up and hold you captive.

Who wouldn’t wish for a Seven Day Saturday Night? Here it is handed to you on a silver platter—the penultimate weekend escape, complete with kick-ass strings that transport you straight into the party-hearty environment that you crave. From there, the bass-heavy opening of Bump promises—and delivers—heart-stopping percussive goodness.

Early Stone Roses anyone? Montreal is another foray into trippy melodies, sexy organ, and seductive piano. After the shameless seduction has left you breathless, you are thrown in front of a revving engine like a beast out of control. Amazing Grace threatens to spin out wildly; miraculously, traction holds you firmly to the road and catapults you along the autobahn of life and love.

SLAVE-to-the-SQUAREwaveThe next track begs for Peace of Mind, but the direct and driven message is that it’s truly an elusive goal. To emphasize that point, Time is Running Out presents a frantic and breathless illustration that time for us is, indeed, running out. Perhaps we should stop and smell the roses?

Casino is a perfectly crafted analogy of love won and lost the hard way. Better luck the next time, baby. You see, everybody gets a little lucky sometimes. Destined to be a favorite, Alive and Electric (Rob’s Analog Electromix) would be ideally at home on any Ultravox collection. The vocals form a faultless partnership with synths that reach down into the soul and infuse a shot of divine life-sustaining energy.

Zombie (Sonix Mix) is a less-frenetic reprise of the un-dead anthem; a different spin on a great, rollicking song. Likewise, Texan Thugs and Rock ‘n’ Roll (Mad Flowers Mix) gives one last and different listen to what makes this collection a no-holds-barred masterpiece.

Slave to the SQUAREwave delivers raw, unbridled musical joy with each and every collaborative piece that they create. Don’t miss out on a chance to experience truly artistic genius at its very best, while Rob and Colin still have the passion to make it happen. And, if you are lucky enough to be in the greater Toronto area whenever the sun, moon and stars align in perfect combination, be sure to see the dynamic duo Rob Stuart and Colin Troy, along with supporting band members Doug Lea and Craig Moffitt, for a live performance.  It’s definitely on my bucket list.ASRR---Reel-to-Reel

A very limited supply of 200 Asphalt, Sex and Rock ‘n’Roll CDs will be available at the release gig at the Hard Rock Café (279 Yonge St, Toronto ON) gig on Feb 28, 2014. After that, an “Expanded Edition” will be added, which includes these outstanding bonus tracks: “India”, “Stereo Orthophonic High Fidelity Victrolis (SOHFV),” and “Alive & Electric (Kernel Chiptune Mix).” Also, for the first time, S2TSW are making The Money Shot (another absolute personal fave) available with all bonus tracks. Both albums are for sale starting Feb. 28, 2014 at the locations shown below.

Tunecore-Release-Availabili

Gary Numan ~ The Amazing 80s Icon is Back Stronger Than Ever

From the “it doesn’t get much better than this” department….Gary Numan’s live set presented by KCRW in its total exquisiteness.

This was merely a warm-up for the mini-eastern US tour he was about to embark on, and the later more extensive UK tour.

Unfortunately, I missed Numan in Sunrise, FL when he opened for Trent Reznor and Nine Inch Nails on October 30. I had a ticket, but circumstances way beyond my control prevented me from attending.

Next time…and there WILL be a next time, so I hear. Perhaps in March 2014.

Until then, there are always quality videos such as this–and my dreams–to sustain me.

With thanks to Andrew Lister for calling my attention to this video.

“Dead Son Rising” CD by Gary Numan with Ade Fenton ~ A Review

Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.

“Dead Son Rising” CD by Gary Numan with Ade Fenton – released September 2011

(Photo credits: Ed Fielding Photography http://www.edfielding.co.uk/)

Long awaited, Dead Son Rising is a theme-driven collection of electronica only the way Gary Numan, along with Ade Fenton, can create. Pounding and wistful, demanding and longing, tender and brutal, it is a study in impossible contrasts that work together so seamlessly as to be other-worldly. Words can only inadequately describe the music on this brilliant CD. If you love electronica/dark wave/industrial/goth, this is a must-have addition to your collection.

Resurrection
The swell of the synthesizers backdropped with breathing sounds and static is a perfect indicator of what is to come on this epic CD. Something sinister yet magical is in the air, and we are about to be willingly drawn into its merciless grasp.

Big Noise Transmission
Static noise and a driving rhythm section catapult us into a staccato mind-puzzle fraught with urgent, whispered pleas. Fully Numan-esque and gripping, this industrial anthem is a rock-solid testament to a direction Numan has whole-heartedly embraced over the past sixteen years. He shows us he has this genre fully mastered and ready for our listening pleasure. The abrupt end leaves us aching for more.

Dead Sun Rising
Numan uses his signature vocals against a deeply satisfying electronic backdrop. There is no one on this planet that could pull off an electronic ballad as successfully as Gary Numan. It is the perfect melding of lyrics, vocals, and synthesizers that captures the soul and transports it to another dimension.

When the Sky Bleeds, He Will Come
Numan and company use everything but the kitchen sink to deliver this masterpiece. Left to the devices of mere mortals, this song would result in listening confusion; in Gary and Ade’s more than capable hands, it is an extraordinary testament to pushing music to its limits and successfully achieving perfection.

For the Rest Of My Life
Don’t let the title/lyrics fool you. This is no tender love song. It borders on an obsessiveness that is both scary yet oddly compelling. It is similar to approaching an accident scene on the highway, and not being able to avert your eyes. In fact, it makes the listener want to hit the “replay” button; not only to hear it again, but to validate the message.

Not the Love We Dream Of
The stark piano notes that open this song are gorgeous. Enter Gary Numan’s voice, and what we end up with is a slightly off-kilter and purposeful story woven of disappointment and sadness. Who can’t relate to the melancholic message delivered here? We have all made mistakes that have devastated us. Numan and company put context to those feelings so we can unleash the demons within.

The Fall
Gary advises us how to deal with being shattered, even telling us point blank that the world still goes on even if we cannot. This is a perfect song to play when things are falling apart in our lives, if only for the rhythm, which makes it impossible to sit still long enough to feel sorrow.

We Are the Lost
The powerful and driving drumbeat that opens this track and anchors it throughout is a welcome diversion from the keyboards that usually take the limelight. Coupled with a Middle Eastern flair that Numan has previously and successfully brought into his music, this song resonates down into the listener’s toes. The textures are rich and colorful, like an open market full of hand-woven cloth displays.

For The Rest Of My Life (Reprise)
Like a path winding its way through a dark forest, we are gently guided to a clearing where Gary awaits us to remind us of the lost love he introduced us to earlier in our journey.

Into Battle
This track is a cacophony of sounds that starts out somewhat reminiscent of wind chimes in a stormy summer garden. But don’t be lulled into submission. The seemingly harmless wind chimes morph into the cadence and timber of something destructive and sinister. Even if you are on your guard, you are not going to be ready for the abrupt end. Signifying eternity, perhaps?

Not the Love We Dream Of (Piano Version)
Again, we are treated to the stark piano notes winding through the introduction to this song. Slowed down and purposeful, almost funereal, we are reminded of mortality, mistakes, and failed missions. It is definitely a song of introspection, but with the change-up in tone and tempo midway through, Numan informs us musically that there is definitely light at the end of the tunnel.

Dead Sun Rising (Early Version)
This version feels like it is played at a slower speed. Numan’s vocals are the focus with the lush accompaniment of electronica there merely to support the master as he works his craft. It is a delightfully welcome version of the title track, and the perfect close to a perfect CD.

Well done, Gary. You are a perfectionist, and our lives are enriched because of it.

Visit Gary Numan’s website: http://www.numan.co.uk/

“The Fall” official full-length promotional video via YouTube user GaryNumanOfficial:

“The Fall” live by Gary Numan – via YouTube user GaryNumanOfficial:

The Secret Life of Numanoids ~ Part Ten

Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.

Matt Jessup (UK) 

I have come to know Matt through FaceBook. He belongs to the legions of lifelong Gary Numan fans, discovering and falling hard for the unique look and sound Numan brought to the world at the very end of the 70s. Matt was kind enough to share his journey with us in his own words.

He writes:
I’ve followed Gary Numan since 1979. Unfortunately, I missed the Touring Principle tour, but was more than fortunate to see Teletour 80. I also consider myself one of the select few who actually witnessed the Wembley Farewell concert live. It was musical history in the making and I still can’t get over I was there. It was staggering!

I was drawn to Numan by his 1st appearance performing “Are ‘Friends’ Electric?” on Top Of The Pops. My jaw hit the floor and I made everyone shut up so I could hear it. At that time, there was too much agro going on with anarchy, punks and skinheads fighting and all the sh*t music it brought (some of which I quite like now, strangely). I hated it, and Numan was a breath of fresh air. And, with me being a keyboard player, after seeing the word JP4 on Telekon, I went down to the music shop and bought one. I never looked back.

My favorite albums will always be what I consider the “Fab 5:” Tubeway Army, Replicas,  The Pleasure Principle, Telekon, and Dance. They are time machines for me. I can tell who, what, where, and when, and in some cases, can still smell her perfume. Perfect memories to perfect music. I also adore Sacrifice.

I have many, many favorite tracks: “Metal,” “Exhibition,” “Subway”…too many to list.

My most exciting moments include Dad saying “yes” to the request of £15 to go to Wembley (that included coach there and back), and finding out Gary was using the sounds I sent him for The Pleasure Principle 2009. Also, every concert I attended, it was exciting meeting up beforehand, when Gary was at the height of fame. Southampton was a sea of black and red, and I still have the red belt harness I wore to Wembley.

I can’t actually say “I love Gary Numan” because that would make me gay – ha! I always wished I looked like him, though – great eyes. I can express my love for him only one way, by declaring his sheer brilliance, which comes down to his lyrics and the way his voice fits the words. The sounds. As I said before, his lyrics can drop you to your knees and the synth lines just lift you right up. A classic example is Andy Gray’s mix of “Prayer for the Unborn.” It’s a fact that at Troxy last year, the intro and the way “Down In The Park”  kicked in actually brought tears to my eyes. It was so massive. And in that instant, I was back watching him come out in that car on Teletour. Then, I was back in the room, and my son Josh, 21 looked at me nodding and said, “Oooh yeah…Numan’s still got it.”

I met Gary Numan in 1986. We chatted for 45 minutes. No illusions were shattered; “Numan” went offstage and I chatted to “Gary Webb,” if that makes sense. Now, I would dearly love for my 2 sons to meet Gary and shake the hand of the man who has shaped 30 years of my life. They are really up for that.

The Numan experience taught me song writing and sound creation. They were great years that brought great friends, and the most loyal fan base I’ve ever known.

Machinery Strange Dreams by Matt Jessup via YouTube user DarkAngelOne:


Me, I Disconnect From You (Gary Numan)
cover by Matt Jessup via YouTube user emjay946:

Are ‘Friends’ Electric? (Gary Numan)piano cover by Matt Jessup via YouTube user emjay946:


Ghost
by Matt Jessup via YouTube user DarkAngelOne:

The Secret Life of Numanoids ~ Part Nine

Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.

Stephen Numan (Scotland)

What better way to show your love and admiration for someone than to take their surname as your own? I have been privileged with meeting Stephen Numan, who kindly agreed to share his secret life as a Numanoid on Rave and Roll. His story is a fascinating one, so sit back and enjoy.

Stephen writes:

There is history behind this. My mom divorced our abusive father when I was around four or five. My surname then was McAllister. When she got her divorce, she reverted to her maiden name of Boyle. She remarried many years later, and as a courtesy to my step-dad, I took on his surname of Nobbs. I took his name because he was great for my mom, and loved her and all us kids so much. Sometime later, I realized I wanted to take on the surname of Numan. I will explain later.

I have been a fan since first seeing Gary on The Old Grey Whistle Test back, I think, in 1978. What drew me to him was the projected persona: alien-like, emotionless, staring grey eyes, the eyeliner and make-up, and the utter loneliness I heard in his voice and lyrics.

Gary Numan’s music means EVERYTHING to me. I was 12 or 13 when I first heard his music. As a depressed loner at that time, I was searching for a hero, a figure I could look up to and possibly relate to. I saw that figure in Numan. I heard in his music and lyrics all the alienation and rejection I had felt throughout my childhood.

Now then, my favorite album – tricky – I would have to say Telekon, with The Pleasure Principle a close second. My fave song – EASY – “A Prayer for the Unborn” – just because of the story it tells about Gary and Gemma’s loss.

My fave Numan moment – his first live gig in Glasgow back in the day – it was amazing to see my hero on stage. I was in tears and utterly hysterical – oh the freedom of youth!

I think it’s obvious now my fave way to express my love for him; I changed my surname by deed poll 6 years ago. When I stayed in South Africa for 25 years, I imported ALL of his albums, singles and 12-inch singles. I had so many, I used to place them upon my living room walls as homage to the great man. I came back for a holiday in 1984 to see him on The Berserker Tour – great gig – I returned to SA with the album and a few 12-inch singles. I then painted the cover of Berserker on my living room wall – 10 foot by 10 foot, draped it in blue curtains with blue lighting from below – it looked awesome!

I’m a diehard Numan fan; always have been, and always will be. Obviously, I don’t like every track, and yet I love his ballads. “Don’t Call My Name” is truly heart-wrenching.

I have never met him, which makes me sad, and yet, maybe it’s meant to be that way. “Idolize at a distance.”

Whenever I need inspiration, whenever I need to be lifted from depression, whenever I need reminding of all that is and was great in my life – I play Gary Numan. Whenever I buy a new car or mp3 player – I ALWAYS play Numan on it first.

“Sleep By Windows” by Gary Numan via YouTube user themachman19691:

“A Prayer For The Unborn” by Gary Numan via YouTube user TheTelekon:

The Secret Life of Numanoids ~ Part Eight

Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.

Nik Sylvian (FaceBook persona)

The 80s decade spawned a lifetime of brilliant music that has lived long into the 21st century. Some of the more tenacious artists have made it to the present, still creating vital and brilliant music. Of course, Gary Numan is one such lesson in creative survival, and he is in good company along with artists like Peter Murphy, Bryan Ferry, Simple Minds, David Bowie, and Japan, to name a few.

Speaking of Japan, Numanoid Nik Sylvian also happens to be a deeply committed fan of David Sylvian. Both Gary Numan and David Sylvian were non-conforming pioneers during the most exciting musical decade in modern history, so it stands to reason Nik would be drawn to both of them. Let’s take a closer look at Nik’s fascination with Numan.

Nik has been a fan of Gary Numan’s for the past 30 years. There was something about Numan’s music that caught Nik’s ear three decades ago. When asked specifically what that “something” was, Nik responds, “Gary Numan talking about the future and how it would be like.”

When you love an artist, it’s very difficult to nail down a favorite creation. When asked to name a favorite album, a fan will instinctively answer, “All of them.” Nik is straightforward with his response, however, stating that “Telekon” is his favorite Gary Numan album. He quickly adds, “Also, I Assassin.”

Similarly, Nik points to “Are ‘Friends’ Electric?” as his prefered Numan single, but again adds, “And also, I Assassin.” There may be a trend here!

Exciting Numan moments for Nik include seeing Gary perform on Top of the Pops and The Old Grey Whistle Test. He’s in good company with many other long-term Numanoids who hold those same precious visions close to their hearts. As a final thought on Gary Numan, Nik shares, “He’s simply the best.” I know there are many people out there that would agree.

“Are ‘Friends’ Electric?” by Gary Numan – via YouTube user dashproductions:

“I Assassin” by Gary Numan – via YouTube user GaryNumanAlbums:

The Secret Life of Numanoids ~ Part Seven

Please do not copy any portion of this article without the express written consent of the original author. Requests for permission may be left in the form of a comment on http://raveandroll.wordpress.com.

Mark Kemp ~ UK

For the seventh installment of the series, Mark took the challenge to share his story about being a Numanoid with gusto. His enthusiasm for Gary Numan is genuine and infectious, and needs no further introduction from me.

Mark writes:
Gary Numan; a name that has not been far from my mind since the age of 12. Like most fans, it started one Thursday night watching “Top of the Pops.” The sound, the image….mesmerizing. I bought the single (AFE) but couldn’t afford Replicas, so I had to borrow it and tape it. My “Grease Soundtrack” cassette sounded far better with Numan taped over it!! (Piss off Travolta).

I had discovered “real” music. My Saturdays from then on consisted of looking through music magazines for anything I could find relating to Gary. I sometimes spent my entire pocket money on a magazine that contained one small picture of Gary no bigger than about 4 centimeters square!

I never made it to his first tour, but managed to see him on the Teletour, which to a young lad was mind-blowing. I AM IN THE SAME ROOM AS GARY NUMAN !!!!!! Been on every tour since then, the exception being the Wembley “final” concerts. London might as well have been the moon for a lad from up north with little money. The “holy grail” of a front row seat at a Numan gig was a long time coming. It finally came on the “Metal Rhythm” tour.

I believed that I had grown up a bit when it came to being a Numan fan. I was wrong. I was in fucking awe of the man. He stood just a few feet away and I had never even dreamt of getting this close to my hero. I held my hand out to him and mouthed, “COME HERE.” He mouthed back to me, “NO YOU COME HERE” knowing full well that I couldn’t get up on the stage. He was teasing me! He waited about 10 minutes, then he bent over and shook my hand. Yep, that was GARY NUMAN shaking MY hand!! I quickly handed him a pen and my tour programme, which he signed; I even had time to take his picture signing it.

I have met Gary on 4 occasions, the best being at the first convention held in London where I had my picture taken with him. My Numan collection still grows: rare records, concert recordings, more pictures, thanks to the wonderful eBay. Favourite song? Still CARS. After all this time I have never got bored of it. Album? Again, The Pleasure Principle is an outstanding piece of work that still sounds relevant even today: “Noise Noise,” “The Machman,” “Every Day I Die,” “This Is My House,” “We Are So Fragile,” “I Die You Die,” “Complex,” “I Dream Of Wires,” “My Shadow In Vain,” “Tracks,” and “Cry The Clock Said.”

Amazing talent. I will always prefer Gary’s older material, but the new stuff is still good; just not as good.

“Noise Noise” by Gary Numan via YouTube user patrickingham21:

“My Shadow In Vain” by Gary Numan via YouTube user dashproductions:

The Secret Life of Numanoids ~ Part Six

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CAZ’KIK’ASS ~ UK

I met Caz a while ago through mutual friends on YouTube and MySpace where there is a large network of Numanoids. I have really had the pleasure of getting to know her better since we met up again on FaceBook.

Caz epitomizes what it means to be a loyal Numanoid. From her, I have learned that it’s OK to not be in love with everything that Numan does. What does matter is respect for the human being behind the stage personna, along with undying loyalty.

When asked how long she’s been a fan, I was not surprised to learn Caz has been Numanoid for over 31 years.

Caz answers the question, “What drew you to Gary Numan?” with, “Seeing him perform Are ‘Friends’ Electric? on the Old Grey Whistle Test programme.”

One word suffices when asked, “What does Numan’s music mean to you?” Caz responds automatically and plainly, “Everything. It’s there for me in good times and bad.”

Me: Can you name a favorite album?
Caz: OMG!! I can’t answer that!

Me: What about favorite songs—what would they be?
Caz: “Blue Eyes,” “Every Day I Die”…need I go on?

Me: Tell me about your most exciting Gary Numan moment.
Caz: Meeting him at the Last Great Warbirds Airshow.

Caz cites her photography as a way to express her love for Gary Numan. I have also seen pictures where Caz dresses up in full make-up and clothing resembling Numan’s Dance album cover in order to host live a show featuring Zara Band who play Numan’s music. In fact, here’s a video of her in action:

When asked if she has any other thoughts to share, Caz says wistfully, “May the God live forever, and I’d like to meet him once again.”

Amen to that!

“Blue Eyes” by Gary Numan/Tubeway Army via YouTube user garycee:
 

“Every Day I Die” by Gary Numan/Tubeway Army via YouTube user PatrickIngham21:

The Secret Life of Numanoids ~ Part Five

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Karren Bailey – UK

I am very fortunate to know Karren on FaceBook. She has graciously agreed to share her history as a Numanoid. I am sure a lot of what Karren recalls will stimulate fond memories for many other fans. Enjoy the walk down memory lane!

Karren has this to say about her secret life as a Numanoid:

I have been a fan of Gary Numan since the very first time he appeared on “Top of The Pops” in 1979. I couldn’t believe what I was seeing or hearing. It was so different to anything I’d seen before. I was drawn to the way he was dressed, the expressions, the make-up, and the song was amazing, too—one of those unrepeatable moments in your life. Next day, the kids at school were talking about it, too. I reckon he’d surprised many a family in their front rooms that evening!

Numan’s music means everything to me. There is a Numan song for every mood, and I can’t imagine how it would have been without it!My fave Numan album changes ALL the time, from the early, right up to recent. In the early days, not having pocket money, I used to have to wait for my birthdays when my big brother used to buy them for me (always teasing that he went to another town to buy them incase he was recognised).

 The Pleasure Principle and Telekon will always be special favourites, but I love Dance, Sacrifice and Pure, too.

It would be far easier to tell you the few Numan songs that I’m not keen on (“Bridge, What Bridge?”) GASP! than my favourites, but I do have a few that I go back to more often than others. Are ‘Friends’ Electric?” will always be a BIG fave as I knew it would be that first time I heard it 31 years ago. I love all the versions he’s done of it since. “Aircrash Bureau” from the Telekon album always blows me away. It’s a modern day work of art. I especially love “The Seed of a Lie,” “Crash,” “My Breathing,” “Noise Noise,” “Here Am I,” “An Alien Cure,” “A Prayer for the Unborn,” “Voix,” “On Broadway,” “Magic,” and am currently smitten with “When the Sky Bleeds.”

An exciting Numan moment has to be when my big sister took me to see him live for the first time on the Warriors tour in 1983. The local radio station dropped him back at Victoria Halls in Hanley, after an interview, and the doors were locked, leaving him standing next to me on the step. I just stood there frozen. He didn’t look too impressed, himself. I’ve never met up with/talked to Gary Numan and I don’t wait outside gigs to do this, as I’m scared it will spoil it. I keep him special.

I express my love for Gary Numan (much to my children’s distress) by dropping him into conversations as much as possible, wearing Gary Numan clothing and my “Gary Numan is God” badge. It’s amazing how many people have good and bad Numan memories to share. Even a driver delivering to my house shared that he was at the Wembley concert when he heard the music I was playing when I opened the door.

I can’t believe how many Numan friends I have found on Facebook, after being the “Only Numanoid in the Village” for years. I love hearing all their stories about naming their children after him and stuff, and how Gary Numan has been the soundtrack to their life too, despite much of the teasing that has always gone along with it.

The Seed of a Lie” by Gary Numan via YouTube user defectedmodel:

A Prayer for the Unborn” by Gary Numan via YouTube user leeleec79:

The Secret Life Of Numanoids ~ Part Four

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The Secret Life of Numanoids series was on hold for several months while I took the time to get a handle on some personal issues. Now that things are somewhat back under control, I’m excited to resume an inside look at what makes Gary Numan fans tick. If you would like to be a part of this ongoing series, or know someone who would, please leave a comment here or message me on FaceBook: Sandy Numanfan Missparker.

Coincidentally, both of today’s highlighted Numanoids are from Scotland. Enjoy reading what fuels their lifelong love for Gary Numan.

Robert McNab – Scotland

Robert launches into his story by telling me that he has been a fan since the very beginning of Gary Numan’s career.

“I saw Gary on Top of the Pops singing ‘Cars’ and I had not heard anything like it. It was well ahead of its time.”

Like so many fellow Numanoids, Robert finds meaning in Numan’s music. “His music is very powerful. Things that have happened in my life I can relate to in Gary’s music.”

Robert had a much easier time nailing down one favorite album versus one favorite song. “My favorite album is The Pleasure Principle. My favorite song…..oh there are many! My personal fave would have to be ‘Cars,’ a simple but brilliant song. When ‘Are ‘Friends’ Electric?’ came out, at the start I did not like it. It took some time to get used to it, then it grew on me, and it was my very first record single purchased.”

When asked to share his most exciting moment as a Gary Numan fan to date, Robert shares, “My most exciting moment had to be my very first concert at Aberdeen in 1983. During the Warriors tour up until then, I had been just an ordinary Numan fan. Then I seen this gig, and it was amazing! I was totally blown away, and then became a big Numan fan.”

In describing his love for Numan, Robert says, “I would have to say he has been a big part of my life. When he quit music in 1981, I was gutted and never really followed anyone else as much as I did with Numan.

“The thoughts I would like to share: Gary Numan is a pioneer in synth music. There have been bad times in his career where many other artists would have packed in, but Numan is a fighter and has a strong fan base behind him.”

Indeed, he has.

Photo credit: Ed Fielding Photography

Gary Numan – “We Are Glass” – via YouTube user JoshuaLovesGB:

Gary Numan – “Cars (enhanced audio)” – via YouTube user compelx:

 

 

Sandy Bain – Scotland

Sandy claims being a Numanoid for the past 32 years, the whole of Gary Numan’s career. When asked what initially drew him to Gary Numan’s music, Sandy replies, “Seeing him for the first time on The Old Grey Whistle Test in 1979.”

That seems to be a common thread among Numanoids; the first time seeing the unusual yet endearing Gary Numan on TV was all it took to be a lifelong fan.

Sandy has no trouble expressing what Gary Numan’s music means to him. “His music is my life,” he states confidently.

Nailing down his favorite Gary Numan album and single posed no problems. For the album, Sandy says, “It would have to be Replicas which hooked me.” And song? “I have many favourites, but ‘Angel Wars’ would be mine.”

Sandy’s most exciting Gary Numan moment was meeting him for the first time in 2006. When I asked what his favorite way to express his love for Gary Numan is, he states firmly, “He is God.”

In closing, Sandy has this to say, “I have loved Gary for years, and his music has got me through many ups and downs in my life.”

That’s something that many of us can relate to.

Gary Numan – “Angel Wars” – via YouTube user webbfoxx:


Gary Numan – “Complex” – via YouTube user DrMorbeus:

The Secret Life Of Numanoids ~ Part Three

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Paul Chandler ~ UK

Paul Chandler was kind enough to agree to be interviewed about what it’s like to be a Numanoid. A fan since 1978, he is one of the core, long-time group of fans that have followed Gary Numan since the very beginning of his career.

When asked, “What drew you to Gary Numan?” Paul had this to say:

“The early electronic sound and Gary’s vocal and image style is what drew me to Gary Numan. I was into music from an early age and was quite happy listening to bands like Slade and other glam rock artists. I did get bored quickly with the pop moulding that seemed to always happen; nothing different was going on, and I needed something that was not mainstream. Punk hit me straight away as it was a great escape from the humdrum. When I first bought (Tubeway Army’s) “That’s Too Bad,” I didn’t think that this was just another punk record. The music may have been of the same trend, but it was Numan’s vocals that drew me, and I felt that this was not quite right for a ‘punk’ record. “Bombers” confirmed that Tubeway Army were not typical punk at all, and something else was waiting to be unleashed! Replicas and The Pleasure Principle were the type of music that I had been waiting for! Ever since, I have filled my life with so much music and all because of Gary Numan and his style and uniqueness.”

Paul continues with an explanation of what Numan’s music means to him. “His music means everything to me. After hearing “Are ‘Friends’ Electric?” it blew my mind! His music from the early days still means as much to me now as it ever did. It was like having someone be there for you at a difficult time and they came through for you; a friend who is always there for you.”

“Are ‘Friends’ Electric?” via YouTube user scruffyonion:

Asked to provide the name of his favorite Gary Numan LP, Paul candidly responds, “Can I have 3? The Pleasure Principle, Replicas, and Telekon.”

Fortunately for Paul, there is not a limit in this series for how many favorite songs a Numanoid might list. He cites the following as his favorites:

“Here goes… Listen to the Sirens/Steel and You/Something’s in the House/Me! I Disconnect from You/Are ‘Friends’ Electric?/Praying to the Aliens/You Are in My Vision/We Are So Fragile/Airlane/Metal/Films/M.E/Conversation/Cars/On Broadway (Live)/This Wreckage/The Aircrash Bureau/Telekon/Remind Me to Smile/We Are Glass/I’m an Agent/I Dream of Wires/I Die: You Die/Slowcar to China/She’s Got Claws/Crash/I Sing Rain/Love Needs No Disguise/Music for Chameleons/This Is My House/We Take Mystery (To Bed)/Noise Noise/Warriors/The Iceman Comes/This Prison Moon/My Centurion/Sister Surprise/My Car Slides/Berserker/Cold Warning/Pleasure Skin/Creatures/Tricks/God Only Knows/Anthem/No Shelter/My Breathing/Unknown And Hostile/This is Emotion/Hunger/Voix/Respect/I Don’t Believe/Soul Protection/Confession/The Skin Game/A Question of Faith/Scar/Love and Napalm/Dominion Day/Prophecy/Dark/An Alien Cure/Pure/Walking With Shadows/Rip/My Jesus/Listen to My Voice/ I Can’t Breathe/Hybrid/Halo/Slave/In a Dark Place/Haunted/Before You Hate It.”

Paul recalls his most exciting Gary Numan moment as, “The first time I heard “Are ‘Friends’ Electric?” and waiting for new albums!”

As for his favorite way to express his love for Gary Numan, Paul states, quite simply, “Loyalty.”

Paul continues, “When you follow an artist who has changed your life and given you an opening to absorb various other music, you do feel the highs and lows of their career. You want them to rule the world of music and to climb back into the limelight,when all goes dark and comes to perhaps a point of no return. When times were bleak for Gary Numan, regarding record sales etc., I always knew he would find his way again! With each record that was released, I kept hoping that this would be the one!

“Some may not approve of his vocal and music style, but there is much more to Gary Numan than meets the eye. You can hear on tracks such as “Crash” and “This Wreckage” that his vocals can be stretched. Often, because of his distinctive vocals, Numan is dismissed for having a high vocal range. I think that this is far from the truth! These vocal tones are what make him unique, and the great artist that he is and always will be!

“’Nuff said.”

The Secret Life Of Numanoids ~ Part Two

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Mark Ryan

Part of a unique and vital core of longtime fans, Mark has been a Numanoid since Numan started performing – late 1978, to be exact.

When asked what drew him to Gary Numan in the first place, Mark replies, “He was just totally different to anything I had heard or have heard since.” He continues, “I have listened to him through various stages of my life, good and bad, high and low; every song that he has written, I can relate to.”

A difficult task for any Numanoid is to pin down what their favorite album is. This is what Mark had to say about when asked: “Far too many, but The Pleasure Principle (as it was different and unique), Dance (which is totally underrated and the songwriting is just great on here), and Pure (just far too good to describe in simple words).”

When asked for his favorite Numan songs, Mark explains, “I’ve recently been asked to pick my top 25 favourite Numan songs, but how can you start? However, I do love “Stories” (which I first heard on Numan’s 1980 tour), “Films” (which is like drum and bass before it got popular), and “Please Push No More,” a great song done live at Wembley in 1981 – it was awesome and emotional.”

In describing what excites him most about Numan, Mark declares, “When I hear that a new artist is influenced by Gary, his legacy lives on.” Mark goes on to say that he expresses his love for Gary Numan by “playing his music, and talking and discussing Gary’s music and what it has meant to myself.”

In closing, Mark is happy to report, “Recently, I played Jagged for a couple of work people who are into rock. They now tell me that they are Numan fans.”

Anything else you’d like to add? “NUMMMMMMMMMMMMMAAAAAAAAAAAAAANNNNNNNNNNNNNNNN!”

“Stories” via YouTube user GaryNumanAlbums:

The Secret Life of Numanoids ~ Part One

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In case you’ve been under a rock for the past thirty years, or simply have never come across the term, Numanoids are Gary Numan fans. A rare and close-knit group, they are loyal, honest, caring, and kind, brought together from all over the world to support and honor a musician who has accomplished much during his more than 30 years in the business.

As a relatively new Gary Numan fan, I have been extremely fortunate to be embraced by his hard-core circle of fans, making contact through the blogosphere, YouTube, FaceBook, MySpace, and other online sources. Most Numanoids have been with him since the very beginning, the Tubeway Army days. Others, like me, have made the connection with Numan because of his dark wave/Gothic/industrial genre of music that he began to embrace in the early 90’s, connecting fully with the release of 1994’s Sacrifice album.

Rob Stuart (Canada)

Rob Stuart shares that he has been a Numanoid since 1978 (age 13). Musically, he had never heard anything like Gary Numan before. He says, “I remember hearing ‘Are “Friends” Electric?’ for the first time on my little AM radio during the top 20 count-down in England on a Sunday afternoon and being totally transfixed by the voice, the music! I knew I had to save my pennies and immediately buy the album. Once I saw the cover art I was completely hooked. Who was this alien, androgynous looking man?”

When asked what Gary Numan’s music means to him, Rob recalls, “It meant so much to me at that age that I started a band as soon as I immigrated to Canada (age 14). We called ourselves ‘The Plastic Omniums’ and played our first gig at a high school battle of the bands contest. All the other bands played Zeppelin and Rush covers while we got up there with our synths, a reel to reel tape deck, and a drum machine and played three songs: Opening with ‘Airlane’ from The Pleasure Principle album, then a cover of ‘Are “Friends” Electric?’ and closing with an original number called ‘Red Shift Expanse.’ I distinctly remember two-thirds of the kids in the audience booing while the others cheered. The cool kids got it! I still have a recording of that show.”

Rob cites Replicas as his favorite Gary Numan album, with the first self titled album Tubeway Army not far behind. He feels that Replicas is a modern-day masterpiece from start to finish. As for his favorite songs, the list is pretty extensive: “My Brother’s Time,” “The Machman,” “M.E.,” “Pure,” “You Are In My Vision,” “A Question Of Faith,” “The Iceman Comes,” “Fadeout 1930,” “Every Day I Die,” “Are ‘Friend’s’ Electric?,” “A Subway Called ‘You,’” “The Aircrash Bureau,” “Bombers,” “My Shadow In Vain,” “Crazier,” and many more.

Rob’s most exciting Gary Numan moment was very recently when he met Numan in Toronto in October 2010. He tells us, “We had a fairly lengthy discussion about doing a remix contest of his music. He told me he didn’t see the point in it. I told him that many of his fans are musicians and would love a chance to remix his work, and that it was a great way to promote his music, especially on social networks. Lo and behold, a couple of months later, he has the ‘Back to the Phuture’ remix contest for ‘Scanners.’ I was happy that he took my suggestion. You can hear my remix here: http://soundcloud.com/rob-stuart

Rob continues, “I was also very proud to be on the same CD as Gary Numan once in Future Music Magazine Issue 101, Aug 2000. GN was on the cover being interviewed about the release of “Pure” and (my group) SLAVE to the SQUAREwave had the song ‘Heavy Bones’ featured on the free CD that came with the magazine.”

Asked what his favorite way to express his love for Gary Numan is, Rob states, “Doing cover versions of his music either live or recorded. Here is a cover I did of ‘Films’ back in 1995.”

Electronic Dream Factory – “Films”
via YouTube user Akito01:

He also shares, “Like all of my musical heroes (Bowie, Eno, Kraftwerk, Underworld, Tangerine Dream), Numan is an innovator, an original. And like all super-talented artists he is humble and down to earth. He’s not afraid to try something new and hang them out there. Sometimes it doesn’t work, but when it does, it’s life-changing and timeless.”

Meemz (Belgium)

Meemz has been a fan of Gary Numan’s for as long as he has been active in the music scene – since 1979. What initially attracted her to him, as she recalls, was Numan’s voice, music, and appearance, being “different.” And, as for his music, Meemz states, “His music touches my heart and soul any time, good or bad.”

Meemz lists the following albums as her favorites: Jagged, The Pleasure Principle, Telekon, Replicas, Sacrifice, Exile, and Pure. Her favorite songs include, “Jagged,” “Haunted,” “Rip,” “Metal,” “Seed of a Lie,” “Crazier,” “Crawl,” and, in her own words, “so many others.”

The most exciting Gary Numan moment for Meemz was the first time she met him at a concert in Bristol in 2009. An accomplished artist, she not only had the thrill of meeting Gary Numan up close and personal, she also presented him with a portrait that she had painted.

In addition to painting numerous portraits featuring Gary Numan, Meemz also does some very clever photo edits. Along with these creative endeavors, Meemz professes the best way to show her love for Gary Numan is “being and staying a Numanoid for as long as I live and far beyond.”

Finally, Meemz states, “I like his old and new stuff, and hope he’ll be making music as long as he can. When I talk to people about Numan in my country (Belgium), I can’t explain what it really is, the feelings us Numanoids have about him. It’s not only his music and all, but just the person that he is. He’s really one of a kind and we love him for it.”

Vikki (UK)

Vikki has been a fan for 32 years, the entire duration of Gary Numan’s career. When she was only 10 years old, she first saw Numan on the British music show Top of the Pops. Her initial reaction was to fall in love with the song he was singing, “Are ‘Friends’ Electric,” all the while thinking, “Ewwwwwww, he’s weird!” Needless to say, that first impression eventually yielded to a more mature, long-term, and undying love.

When describing the impact of his music, Vikki says, “His music means a lot of things to me. Because I’ve been a fan for such a long time each album reminds me of a different time in my life. Pure is my divorce album!” She also lists Jagged as a favorite. When pressed to list her favorite Numan tracks, Vikki’s reaction is, “Too many to mention. But off the top of my head: ‘Sleep by Windows,’ ‘Haunted,’ ‘Jagged,’ ‘Observer,’ ‘The God Film,’ and ‘My Breathing.’”

Recalling her most exciting Numan moment, Vikki observes, “Has to be the first time I saw him live, October 1983. He was ill, so I didn’t get to meet him. I was gutted!”

Vikki expresses her love for Gary by shouting/writing NUMMMAAAAANNNNNNNNNNNNNNNN! wherever and whenever possible. She adds, “Plus, wearing Gary Numan t-shirts – you cannot wear a Gary Numan t-shirt without someone making a comment or singing ‘Cars!’”

In closing, Vikki shares these anecdotes:

“I once lost my mum whilst out shopping. A record stall was playing “Are ‘Friends’ Electric?” and I just had to stop to listen to it. Of course my mother carried on walking and I lost her.”

“And, one thing I must add; Gary Numan fans are the nicest people you could ever meet. I took my friend to see him back in 2009 and she was gobsmacked at how nice people were. I’ve never been to a Numan gig where I haven’t got chatting to someone and shared some great moments. I once spent an evening with the band drinking before they went on stage. All my friends kept coming up to me saying ‘why are you sitting with the band?’ A roadie called Gary (who was miffed because he was called ‘Gray’ in the tour programme) fancied me so I got in with the crowd.

“I also came very close to sharing the tour bus with Gary Numan. His support band Hohokam invited us back to the hotel (nothing smutty!) but some security guy said we could walk as the hotel was only down the street. I still hate that man! Oh, and once my mum had a go at Beryl and his security guard which was very embarrassing!”

Kristin Harris (USA)

Kristin Harris, graphic and video designer, has been a full-blown Numanoid since late 2006.

When asked, “What drew you to Gary Numan?” her reply: “His newer music captured me first. I’ve never heard anyone like him. I was drawn to his beautiful voice and loved how atmospheric his music was. I eventually ventured on to YouTube and once I saw him in action, I was completely hooked. His looks don’t hurt either.”

Kristin goes on to explain that Gary Numan’s music is her escape and it has inspired her in her creative work. It’s difficult to pick just one of Numan’s albums when citing a favorite. When pinned down, Kristin chooses Jagged (closely followed by Pure, Exile, and Hybrid). Her favorite singles are “Haunted,” “The Fall,” “Crazier,” “Jagged,” “Pure,” “Replicas,” “Films,” and the song “Slide Away” from Ade Fenton’s album, as well.

Kristin recalls her most exciting Gary Numan moment: “Meeting him for the very first time in July 2007. He is so lovely and down to earth. Also, getting to work for him on the t-shirts. That was a huge honor.” She finds that the best way for her to express her love for Gary Numan is through her music videos and graphics. She also promotes his music using her favorite films and TV shows.

View Kristin’s videos here: http://www.youtube.com/user/knightvision1228

View her graphic designs here: http://www.kristinharrisproductions.com/musiciangraphics.htm

Paula Raven (Fallen Angel) (UK):

Paula is another lifelong Numanoid who has been a fan since 1979-80. His “distinctive style and amazing electro sounds” are what first drew Paula to Numan and his music. She goes on to say, “I had never heard anything like it before. He wasn’t like other bands of that time; he stood out from everyone else. I was looking for someone to blow me away with a unique style and sound, and found just that in Gary Numan. I remember thinking, ‘this man has come along in the music world, years before his time.’”

Paula continues, “Gary once said, ‘I am just an arranger of noises.’ I say to that, ‘Yes, Gary, you show us just how music is meant to sound.’ The machines rocked in 1979, and continue to do so to this very day.”

When asked what Gary Numan’s music means to her, Paula is very direct in her response: “His music is everything that makes my world tick. He has an album for every mood I’m in, and his music makes me smile, laugh, and cry. You can’t help but connect with his music and lyrics in some form or another.”

Paula pushed back a bit when asked about her favorite album. Stating that it was impossible to narrow the choice down to just one, she settles on her favorite top three: first, Telekon, “a masterpiece in its own right,” Exile, and Pure. She also settled on her top three singles: “The Fall,” “Every Day I Die,” and “My Shadow In Vain.”

Paula shares that her most exciting Gary Numan moment was meeting him in 2009, at Bristol, after waiting over 20 years for just that moment. She had met him back in the 80’s at one of his airshows, but that was only a very brief “Hello Gary” moment. “In Bristol I had a whole 10 minutes with him. I was so excited, we waited for over an hour for him to appear. He was so kind and sweet, and I asked him if he would sign my photo of him. It was an old photo of Gary when he was very young; a fan club photo. I said, ‘You look so young in that photo, Gary.’ He laughed and said, ‘I know (with a grin on his face). My wife keeps finding old photos of me, just to remind me of how old I’m getting.’ And we both laughed. He then put his arm round me so I could have a photo taken with him. It was an amazing moment in my life, and one I won’t forget.

Paula has chosen to put together her own Gary Numan website, “Pure Numan,” (http://www.pure-numan.com/) in order to pay him homage. It is her way of showing the love and respect that she has for the man who not only changed the music world, but has given his fans the best music and live stage shows possible.

Paula shares, “I have been a big fan since the very beginning, and feel like I’m growing old with him. But to put it in a nutshell, I couldn’t think of anything better than being a true fan. I’ve met along the way some fantastic people, and I wouldn’t change any of it for all the money in the world.”

Richard Cubbon (Canada)

Richard is another lifelong Numanoid, following Gary Numan since around 1978-79. Of that time, he recalls, “I was just getting into Kraftwerk and Jean Michel Jarre and heard “Bombers” from a friend of mine. I loved the use of the early synths in a way that no other bands were using them, like on the first Tubeway Army album. I was playing bass at the time and loved the hollow sound of the Moogs and that sort of swayed my intrumental choice towards synths. I got my first synth around the time that Replicas came out over here, and that led me towards more synths and learning how to produce the hollow sounds with that thick Nuclear Reactor sound.

Explaining what Gary Numan meant to him, Richard says, “Gary Numan’s music and the lyrics always meant something special to me. I never fit in with any group growing up, and the songs took on a special meaning to me.”

Asked which album is his favorite, Richard explains that it’s a tie between The Pleasure Principle and Telekon. The same goes for naming a favorite single: Richard finds that it’s a tie once again, this time between “Sleep by Windows” and “Airlane.” But when it comes to his most exciting Gary Numan moment, the answer is direct and without hesitation. It was seeing the Telekon tour back in 1982.

Richard adds, “I always tell everyone who likes any type of music that involves synths, electronics or processors, there are three bands that had the most impact on music we listen to today: Gary Numan, Kraftwerk, and Jean Michel Jarre. To me, it’s in that order of importance, too.”

Richard expresses his love of Gary Numan by writing and playing music that is heavily Numan-influenced, and insists will always remain inside of him.

JaggedHaloUK (UK)

JaggedHaloUK has been a Numanoid since 1986. What started this decades-spanning love was a friend playing “I Can’t Stop.” JH UK was instantly hooked on the sound and image that the song and Numan portrayed.

When asked what Numan’s music means to him, JaggedHaloUK replies, “Everything, It’s very inspirational.” He cites these albums as his favorites: Telekon and Jagged, especially the track “In a Dark Place” from the latter.

As with many Numanoids, it’s very difficult for JaggedHaloUK to narrow down a list of favorite songs to one. He provides the following list, instead: “When the Sky Bleeds,” “Jagged,” “Haunted,” “I Dream of Wires,” and insists that “there’s so many more I could list.”

By far, JaggedHaloUK’s favorite moment as a Numanoid was meeting and chatting to Gary after a gig. He was also invited into one of the after-show parties at the hotel where Gary was staying during a tour, and also had a photoshoot with Gary’s official photographer, Ed Fielding.

When asked how he expresses his love for Gary Numan, JaggedHaloUK responds, “Recording my own cover versions of his songs and going to his shows. Also, searching for Numan clothing to wear at gigs.”

In addition, JaggedHaloUK states, “Being a Numanoid is a way of life almost; it changes the way you see things and how you react to the world. If it wasn’t for Gary Numan, I would never have gotten into music and that in itself has led to many happy memories of playing in bands and doing live gigs. I gained live music experience with a band I played synths in called the “hottest state” and have since worked with the fantastic Replicas, a Gary Numan tribute band, and I’m also busy in my studio recording more cover tracks for them. I’m also involved in the running of a Gary Numan fan site called “Pure Numan” (http://www.pure-numan.com) and I’ve been doing some music for the site.”

As if that wasn’t enough, JaggedHaloUK also has his own Gary Numan tribute website: http://www.jaggedhalo-uk.com. The pictures of him on his website were all taken by Ed Fielding, official photographer to Gary Numan.

Karl Lyndon Donald (Ireland)

Karl is a die-hard Numan fan, and man of few words, that I met on YouTube several years ago. He left some comments on several Gary Numan fan-video montages that I had done (and have since removed when Eagle records got on their legal high horse). Karl and I have kept in touch through FaceBook, and he has introduced me to countless other Numanoids. I am very grateful for that.

Karl reports that he has been a Numanoid since the beginning, around 1979. His first recollection was seeing Gary Numan on Top of the Pops and thinking he was really unique.

When asked what Gary Numan’s music means to him, Karl replies, “His music helped me through painful teenage years.” He cites The Pleasure Principle as his favorite Gary Numan album.

Karl’s favorite single is “Remind Me To Smile.” His most exciting Gary Numan moment was, in his own words, “Speaking to him for over an hour at Derry Airshow.” Karl’s favorite way to express his love for Gary Numan was to copy his hair color and style at the time.

I also happen to know that Karl has another very special way of expressing his feelings for Gary Numan. He has a huge tattoo on his back that is the well-known Numan facial graphic from The Tubeway Army LP. Any description of Karl as a loyal Numanoid would not be complete without a picture of this amazing tattoo.

Marsbar Playlist ~ 12-14-2014

December 14, 2014bigmars1

David Marsden streaming live via the Internet. Join the fun and get some interesting (and always entertaining) information at the new forum on Marsden Global. Miss a previous podcast? They are archived by Neil here: http://www.marsdentheatrearchives.com.

Be sure to catch David and an eclectic collection of guest DJs 24/7 on NYTheSpirit.com. Experience music unique to David Marsden and his tenure at CFNY-FM–music that defines not only an era, but a lifetime.

Tonight heralds a brand new start as David makes his live broadcast via NYTheSpirit.com. The Marsbar Theatre may have changed its address, but the music, heart, and soul are all the same.

Here is the complete list thanks to post-10pm assistance from JerusalemSlim. From all of us–TheBarron, JerusalemSlim, and myself–have a Merry Christmas, Happy Hanukkah, and Healthy New Year.

Alphaville – Big In Japan
Arcade Fire – We Exist
Bobby “Blue” Bland – Ain’t No Sunshine
Carole Pope – Vagina Wolf
Clash – Magnificent Seven
Cure – Lullaby (extended)
Cut Copy – Need You Now
Dee Long – Good Night Universe
Electronic Dream Factory – Call Me James
Eric Clapton – My Father’s Eyes
Howard Jones – Bounce Right Back (Cause and Effect remix)
Humble Pie – 79th & Sunset
Japan – Gentlemen Take Polaroids
Jake Bugg – Broken
Joe Satriani – I Believe
Julian Cope – Sunspots
Lightning Seeds – Marvellous
Manfred Mann’s Earth Band – Spirits In The Night
Men Without Hats – Pop Goes The World (Dance Mix)
Orchestral Manoeuvres In The Dark – Souvenir (Moby remix)
Passengers feat. U2/Luciano Pavarotti – Miss Sarajevo
Proclaimers – I’m Gonna Be (500 Miles)
Psychedelic Furs – The Ghost In You
Ray Charles feat. Ruben Studdard & The Harlem Gospel Singers – Imagine
Real Life – Send Me An Angel
Simple Minds – Broken Glass Park
Simple Minds – Midnight Walking
Simple Minds – Spirited Away
Slave To The SQUAREwave – Casino
Steppenwolf – Snowblind Friend
Ultravox – Vienna
Yello – Rubberbandman

Marsbar Playlist ~ 12-7-2014

December 7, 2014bigmars1

David Marsden streaming live via the Internet. Join the fun and get some interesting (and always entertaining) information at the new forum on Marsden Global. Miss a previous podcast? They are archived by Neil here: http://www.marsdentheatrearchives.com.

Be sure to catch David 24/7 on NYTheSpirit.com. Experience music unique to David Marsden and his tenure at CFNY-FM–music that defines not only an era, but a lifetime.

The complete list thanks to ever-cheerful assistance from JerusalemSlim:

69 Eyes – Wasting The Dawn
Beautiful Nothing – Never Found What You’re Looking For
Blackie and the Rodeo Kings – I’d Have To Be A Stone
Blackmore’s Night – Rainbow Eyes
Boomtown Rats – Windchill Factor (Minus Zero)
Busted – Psycho Girl
Colin James – Why’d You Lie
Conjure One – Center Of The Sun (Chilled Out Remix)
Crash Test Dummies – Superman’s Song
Daniel Wesley – When The River Dries Up
David Bowie – Aladdin Sane
David Gilmour – There’s No Way Out Of Here
David Gray – Sail Away
Dee Long – Good Night Universe
Elliott Murphy – Anastasia
Elton John – Can You Feel The Love Tonight?
Elvis Costello – Alison
Fixx – Red Skies
Flash And The Pan – California
Frank Zappa – Joe’s Garage
Gary Numan – Are ‘Friends’ Electric?
Genesis – Cinema Show
Gentlemen Husbands – Wandering Eye
Goddo – Sweet Thing
Hidden Cameras – Colour Of A Man
Ian McCulloch – Jealous Guy
Interview – St. Jean Wires
Japan – I Second That Emotion
Jethro Tull – Heavy Horses
Johnny Clegg & Savuka – Scatterlings Of Africa
King Crimson – Cat Food
Kinks – A Rock ‘N’ Roll Fantasy
Long John Baldry – Rock Me When He’s Gone
Love & Rockets – Haunted When The Minutes Drag
Marcus Kihn – Living More
Michael Andrews feat. Gary Jules – Mad World
Mick Jagger – Memo From Turner
Moody Blues – Nights In White Satin
Patti Smith – Because The Night
Pink Floyd – Talkin’ Hawkin’
Pink Floyd – Wot’s…Uh The Deal?
Procol Harum – Homburg
Propellerheads feat. Shirley Bassey – History Repeating
Reuben & The Dark – Rolling Stone
Robbie Robertson – Houdini
Rough Trade – All Touch
Roy Buchanan – Ramon’s Blues
Scissor Sisters – Lovers In The Backseat
Shins – It’s Only Life
Slave To The SQUAREwave – My Beautiful One
Tony Joe White – Polk Salad Annie
Uriah Heep – Circle Of Hands
Walter Carlos – Theme From A Clockwork Orange

Marsbar Playlist ~ 12-6-2014

December 6, 2014bigmars1

David Marsden streaming live via the Internet. Join the fun and get some interesting (and always entertaining) information at the new forum on Marsden Global. Miss a previous podcast? They are archived by Neil here: http://www.marsdentheatrearchives.com.

Be sure to catch David 24/7 on NYTheSpirit.com. Experience music unique to David Marsden and his tenure at CFNY-FM–music that defines not only an era, but a lifetime.

The complete list with much-appreciated late-night help from TheBarron:

69 Eyes – Betty Blue
Arkitex – First World Calling
Clash – Mustapha Dance (Rock The Casbah Mix)
Colourfield – Castles In The Air (extended)
Comsat Angels – You Move Me (One Good Reason)
Cure – Lullabye (Extended Remix)
Diamond Rings – I’m Just Me
Echo & The Bunnymen – The Killing Moon
Edgar Winter’s White Trash – Keep Playin’ That Rock ’N’ Roll
Electronic Dream Factory – So, What Of Tomorrow
Elephant Stone – Looking Thru Baby Blue
Fad Gadget – Collapsing New People
FM – Phasors On Stun
Front Line Assembly – Dead Of Winter (Hypothermic Mix)
Hidden Cameras – Gay Goth Scene
Hooters – All You Zombies
Howard Jones & Nik Kershaw – Like To Get To Know You Well/What Is Love/Wouldn’t It Be Good/The Riddle/I Won’t Let The Sun Go Down On Me/New Song/Wide Boy/Pearl In The Shell (Mash-Up)
Iggy Pop – Lust For Life
INXS – New Sensation
INXS – Original Sin
Jam – The Eton Rifles
Love & Rockets – So Alive
M/A/R/R/S – Pump Up The Volume
Martha & The Muffins – Cooling The Medium
Martha & The Muffins – Black Stations / White Stations (instrumental)
Mitch Ryder & The Detroit Wheels – Devil With The Blue Dress On/Good Golly Miss Molly
Moev – Open Mind
Nursery – This Wild Heart
Oingo Boingo – Dead Man’s Party
Peter Murphy – All Night Long
Peter Schilling – Major Tom (Coming Home)
Pink Floyd – Welcome To The Machine
Powder Blues Band – Thirsty Ears
Project Pitchfork – Karma Monster
Rob Stuart – A Beautiful Thing
Scissor Sisters – Invisible Light (US 12” Remix)
Silversun Pickups – Growing Old Is Getting Old
Simple Minds – Rockets
Slave To The SQUAREwave – Casino
Slave To The SQUAREwave – Healing Hands
Sound Of Contact – Pale Blue Dot
Stranglers – Skin Deep (12″ mix)
Tin Star Orphans – Jaw Wired Shut
Tom Robinson – Atmospherics: Listen To The Radio
Transvision Vamp – Velveteen
Trust – Sulk
Ultravox – Love’s Great Adventure
Ultravox – Brilliant
XTC – All You Pretty Girls

Marsbar Playlist ~ 11-30-2014

November 30, 2014bigmars1

David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight. Streaming live via the Internet. Join the fun and get some interesting (and always entertaining) information at the new forum on Marsden Global. Miss a previous podcast? They are archived by Neil here: http://www.marsdentheatrearchives.com.

The complete list thanks to a tag-team effort by TheBarron and JerusalemSlim who both covered while I was out of town:

Roger Waters – Radio Waves
Iggy Pop – Pumpin’ For Jill
Rough Trade – Shaking The Foundation
Carole Pope – Francis Bacon
Zeus – Cool Blue (And The Things You Do)
Farm – Very Emotional (Remix)
Japan – Adolescent Sex
Timber Timbre – Curtains!?
Records – Starry Eyes
Cure – The Lovecats
Trust – Joyland
Nick Lowe – Cruel To Be Kind
Classix Nouveaux – Never Never Comes
Hidden Cameras – Bread For Brat
Parachute Club – Rise Up (World Pride 2014 Remix)
Slave To The SQUAREwave – Amazing Grace
David Bowie – Queen Bitch
Electronic Dream Factory – Call Me James
Peter Schilling – Major Tom (Coming Home)
Madness – Our House (12” Extended Remix)
Jason Collett – Vanderpool Vanderpool
Kane Gang – Gun Law
Propaganda – Duel (Bitter Sweet)
Grapes Of Wrath – Good To See You
Scissor Sisters – Return To Oz
Leon Russell – This Masquerade
Marillion – Angelina
Gary Moore – Empty Rooms
Thomas D’Arcy – The Price You Pay
Alabama 3 – Hotel California
David Bowie – Sound & Vision (David Richards 1991 Remix)
Manfred Mann’s Earth Band – Spirits In The Night
Pink Floyd – Have A Cigar
Stranglers – You’ll Always Reap What You Sow
Garfield – Private Affair
Dire Straits – Calling Elvis (remix)
Shins – The Rifle’s Spiral
Elephant Stone – Looking Thru Baby Blue
Silversun Pickups – Growing Old Is Getting Old
Alphaville – Forever Young (Special Dance Remix)
Taj Mahal – Take A Giant Step
Eric Clapton feat. John Mayer – Magnolia
Crash Test Dummies – Heart Of Stone
Holly Johnson & Friends – Ferry Cross The Mersey
Paul Hyde – The Maddest Of The Mad
Moby feat. Patti Labelle – One Of These Mornings
Godley & Creme – The Flood
Colin James – Freedom
Lohn John Baldry – A Thrill’s A Thrill
Conjure One feat. Sinead O’Connor – Tears From the Moon
Lou Reed – Walk On The Wild Side
Dee Long – Good Night Universe

Marsbar Playlist ~ 11-29-2014

November 29, 2014

David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight. Streaming live via the Internet. Join the fun and get some interesting (and always entertaining) information at the new forum on Marsden Global. Miss a previous podcast? They are archived by Neil here: http://www.marsdentheatrearchives.com.

The complete list, thanks to help from TheBarron:

54-40 – Love You All
Arcade Fire – We Exist
Aztec Camera – Walk Out To Winter (12” Remix)
Beautiful Nothing – Come Color Me
Blancmange – Blind Vision
Blue Peter – Video Verite
Boomtown Rats – Windchill Factor (Minus Zero)
Boys Brigade – Into The Flow
Church – Under The Milky Way
Clash – Should I Stay Or Should I Go
Concrete Blonde – Joey
Cure – The Caterpillar (Flicker Remix)
Darkroom – San Paku
Echo & The Bunnymen – Silver (Tidal Wave)
Electronic Dream Factory – So, What Of Tomorrow
Feargal Sharkey – A Good Heart
Fixx – Red Skies At Night
Frankie Goes To Hollywood – Rage Hard (Broad)
Gang Of Four – Is It Love
Hidden Cameras – Gay Goth Scene
Howard Devoto – Rainy Season
Ian Dury & The Blockheads – Wake Up & Make Love With Me
Icehouse – Crazy
Images In Vogue – Rescue Me
Jerry Harrison – Man With A Gun
Kissing The Pink – One Step
Living Colour – Glamour Boys
Midge Ure – After A Fashion (Live)
Morrissey – Everyday Is Like Sunday
Motors – Airport
Orchestral Manoeuvres In The Dark – If You Leave
Pink Floyd – Talkin’ Hawkin’
Pretty Lights – Prophet
Prodigy feat. Pop Will Eat Itself – Their Law
Project Pitchfork – Orange Moon
Raine Maida – Montreal
Rob Stuart – A Beautiful Thing
Rockets – On The Road Again
Scissor Sisters – Filthy/Gorgeous
Silencers – Painted Moon
Simple Minds – Someone, Somewhere (In Summertime)
Sisters Of Mercy – Dominion/Mother Russia
Skatt Bros. – Walk The Night
Slave To The SQUAREwave – Seven Day Saturday Night
Slave To The SQUAREwave – Texan Thugs & Rock ‘N’ Roll
Supreme Beings Of Leisure – Last Girl On Earth
Tin Star Orphans – Dead Man’s Suit
Tokyo Police Club – Hot Tonight
Trust – Sulk
Tubes – White Punks On Dope
Violent Kin – The Honesty

Marsbar Playlist ~ 11-23-2014

November 23, 2014

David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight. Streaming live via the Internet. Join the fun and get some interesting (and always entertaining) information at the new forum on Marsden Global. Miss a previous podcast? They are archived by Neil here: http://www.marsdentheatrearchives.com.

The complete list with post-10PM help from JerusalemSlim:

Al Kooper/Mike Bloomfield – Albert’s Shuffle
Art Of Noise (feat. Duane Eddy) – Peter Gunn Theme
Bobby ‘Blue’ Bland – Stormy Monday Blues
Brave Shores – World Beneath The Sea
Broken Bells – Perfect World
Chalk Circle – April Fool
Cliks – Nobody Else Will
Cliks – Savanna
Colin Blunstone/Dave Stewart – What Becomes Of The Broken Hearted
Comsat Angels – On The Beach
Conjure One – Sleep
Craig Robinson – Waking Up Tired
Dee Long – Good Night Universe
Dee Long – Space Station (Departure)
Elliott Murphy – Rock Ballad
Fixx – Deeper & Deeper (extended)
Garfield – Play It Again Boys
Gary Numan – Cars
Haircut 100 – Love Plus One
Happy Mondays – Hallelujah
Hunters & Collectors – Talking To A Stranger
Jake Bugg – Broken
Jill Godin – Miss America
John Cooper Clarke – Beasley Street
Kinks – Lost And Found
Lewis Furey – Top Ten Sexes
Midge Ure – If I Was
Moms Mabley – Abraham, Martin & John
Moody Blues – Melancholy Man
My Morning Jacket – Touch Me I’m Going To Scream Pt II
Nik Kershaw – The Riddle
Parachute Club – Boys Club
Perth County Conspiracy – The Americanadian Way
Pink Floyd – Comfortably Numb
Pink Project – Disco Project (Medley: Mammagamma/Sirius/Another Brick In The Wall Part III)
Placebo – Pure Morning
Reuben & The Dark – Rolling Stone
Rialto – Monday Morning 5:19
Rock & Hyde – Dirty Water
Roger Waters – Perfect Sense (Parts I & II)
Royal Canoe – Bathtubs
Rymes With Orange – Home House Flower
Scissor Sisters – Mary
Slave To The SQUAREwave – Casino
Sound Of Contact – Beyond Illumination
Squeeze – Pulling Mussels (From The Shell)
Steve Hackett (feat. John Wetton) – Watcher Of The Skies
Thomas Dolby – Spice Train
Traveling Wilburys – End Of The Line
Unheilig – Unter Deiner Flagge
Willy DeVille – Across The Borderline
Wintersleep – Experience The Jewel
Xprime – Closer

Marsbar Playlist ~ 11-22-2014

November 22, 2014

David Marsden on the Rock.FM every Saturday and Sunday night from 7 p.m. until midnight. Streaming live via the Internet. Join the fun and get some interesting (and always entertaining) information at the new forum on Marsden Global. Miss a previous podcast? They are archived by Neil here: http://www.marsdentheatrearchives.com.

The complete list thanks to much-appreciated help from TheBarron:

54-40 – Ocean Pearl
69 Eyes – Gothic Girl
Arcade Fire – We Exist
Beautiful Nothing – Never Found What You’re Looking For
Black Keys – Psychotic Girl
Blue Peter – Don’t Walk Past
Brave Shores – More Like You
Carole Pope – Landfall
Chameleons – Swamp Thing
Church – Reptile
Colourbox – Just Give ‘Em Whiskey
Colourfield – Castles In The Air
Comsat Angels – I’m Falling
Cure – Lullaby
David Bowie – Sound & Vision
David Usher – Black Black Heart
Depeche Mode – Route 66 (Nile Rogers Remix)
Diamond Rings – I’m Just Me
Evermore – It’s Too Late
Frankie Goes To Hollywood – Two Tribes (Annihilation Remix)
Front 242 – Headhunter (Front Line Assembly Remix)
Gang Of Four – I Love A Man In Uniform
Goddo – So Walk On
Golden Dogs – Saints At The Gates
Hidden Cameras – Origin:Orphan
Ian Dury & The Blockheads – Sex & Drugs & Rock & Roll
Iggy Pop – Play It Safe
Intaferon – Get Out Of London
Japan – Rhodesia
Jesus & Mary Chain – April Skies
Jona Lewie – (You’ll Always Find Me In The) Kitchen At Parties
Ministry – Lay Lady Lay
Moev – Alibis
Muse – Uprising (King Kornelious Remix)
Neil Young – Sample & Hold
Nine Inch Nails – Closer
Nursery – This Wild Heart
Peter Schilling – The Different Story (World Of Lust And Crime)
Pink Floyd – Talkin’ Hawkin’
Primal Scream – Loaded
Project Pitchfork – Orange Moon
Propaganda – Dr. Mabuse
Raine Maida – Montreal
Richard Strange & The Engine Room – Damascus
Rob Stuart – A Beautiful Thing
Secret Service – Flash In The night
Simple Minds – Love Song
Sisters Of Mercy – Gimme Shelter
Slave To The SQUAREwave – Johnny 3:16
Status Quo – In The Army Now
Stranglers – Skin Deep (12″ mix)
Tears For Fears – Everybody Wants To Rule The World (Alternative mix)
Teenage Head – Let’s Shake
Tokyo Police Club – Beaches
Zee – Confusion